Engages both the eye and ear as it instills a sense of wonder.

READ REVIEW

NIKO'S NIGHT & DAY

A STORY OF OPPOSITES IN GOD'S CREATION

Oakes’ (The Black Coats, 2019, etc.) Christian picture book illustrates God’s diurnal and nocturnal creations.

Little Niko awakes in the middle of the night with the realization that he left his toy train in the woods near his house. He hurriedly dons his coat and boots and runs out into the night to retrieve his favorite toy. Along the way, he notes the differences in his surroundings from when he was playing in the woods the previous morning. Instead of singing goldfinches (“bay-bee”) and drilling woodpeckers (“thump-thump-thump”), there’s a barn owl calling (“hoot-hoot”). Where bees were buzzing, fireflies dance. As Niko passes through the night, he knows that even in the dark, God watches over him. He reaches the end of the woods and finds his prized train on a fence post and, rejoicing, returns home to go back to bed. This charming, simple tale is punctuated with vibrant paint-and-collage illustrations by debut illustrator Chan. Though the narrative mentions God and the author unveils in the afterword that she was inspired by several specific parables from the Bible, the Christian themes aren’t heavy-handed. Oakes ably employs color words and onomatopoeia to engage young audiences.

Engages both the eye and ear as it instills a sense of wonder.

Pub Date: May 14, 2019

ISBN: 978-0-7586-6208-8

Page Count: 32

Publisher: Concordia Publishing House

Review Posted Online: May 17, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in.

GOD SPEAKS IN WHISPERS

Rhyming text and colorful multicultural illustrations reassure young readers of God’s omnipresence and still small voice.

“Where in the world is God’s voice found?” Perhaps in ocean waves, bird song, or mountain vistas, suggest the couplet rhymes. Even when readers might be faced with difficult emotions and distractions of all kinds, the text reassures them that God is still there and still speaking, if only one pauses to listen. His voice can be found in nature, in starlight, in the love of family and friends, in dreams, and “through His Word.” Admirably, the bright illustrations, reminiscent of mid-20th-century Disney artist Mary Blair’s stylings, depict children and families with a diverse array of skin tones and ages. There is also a refreshing mix of urban, suburban, and rural settings. Yet, despite the appealing illustrations, the rhymes and scansion are often forced (“your feelings, they matter, / even if they’re all mixed up like / pancake batter”), which detracts from the overall message. Contrived couplets notwithstanding, this title will likely find an audience among Christian households seeking reassuring bedtime reads.

Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in. (Picture book. 4-6)

Pub Date: Sept. 8, 2020

ISBN: 978-0-525-65385-1

Page Count: 40

Publisher: WaterBrook

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Girls will hear the answer to the titular question.

HOW MUCH IS A LITTLE GIRL WORTH?

Teaching our daughters how to love themselves is the first step toward the next generation’s owning its power.

It’s heady stuff for a picture book, but it’s never too soon for a woman—even a little woman—to know her worth. Denhollander (the first of sex offender Larry Nassar’s abuse victims to speak out) presents a poetic discourse that resonates beyond its young intended audience. Her simple rhyming couplets speak to the power of image and the messages that shape how we become who we are. The eloquence comes not from the words or phrasing as much as the message as well as the passion. Denhollander, an attorney, a mother, and a former gymnast–turned-coach for a time, delivers stanzas infused with sweet sentimentality as well as fiery fierceness. New artist Huff provides lovely, expressive illustrations depicting girls of many racial presentations in various stages of self-discovery and acceptance. The figures are smiling and cartoonlike, with oversized, round heads and sturdy bodies—though none could be called fat, none exhibits twiglike proportions. Denhollander’s book is unapologetically Christian in approach, with more than one reference to “Him” or a creation by a greater power. With sincerity helping to mitigate occasionally artless text, this is a worthwhile message for young girls who, in an age of shrinking women’s rights, need all the encouragement possible to find their voices and love themselves.

Girls will hear the answer to the titular question. (author’s note) (Picture book. 4-8)

Pub Date: Sept. 10, 2019

ISBN: 978-1-4964-4168-3

Page Count: 32

Publisher: Tyndale House

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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