by Colleen Oakes , illustrated by Erin Chan ‧ RELEASE DATE: May 14, 2019
Engages both the eye and ear as it instills a sense of wonder.
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Oakes’ (The Black Coats, 2019, etc.) Christian picture book illustrates God’s diurnal and nocturnal creations.
Little Niko awakes in the middle of the night with the realization that he left his toy train in the woods near his house. He hurriedly dons his coat and boots and runs out into the night to retrieve his favorite toy. Along the way, he notes the differences in his surroundings from when he was playing in the woods the previous morning. Instead of singing goldfinches (“bay-bee”) and drilling woodpeckers (“thump-thump-thump”), there’s a barn owl calling (“hoot-hoot”). Where bees were buzzing, fireflies dance. As Niko passes through the night, he knows that even in the dark, God watches over him. He reaches the end of the woods and finds his prized train on a fence post and, rejoicing, returns home to go back to bed. This charming, simple tale is punctuated with vibrant paint-and-collage illustrations by debut illustrator Chan. Though the narrative mentions God and the author unveils in the afterword that she was inspired by several specific parables from the Bible, the Christian themes aren’t heavy-handed. Oakes ably employs color words and onomatopoeia to engage young audiences.
Engages both the eye and ear as it instills a sense of wonder.Pub Date: May 14, 2019
ISBN: 978-0-7586-6208-8
Page Count: 32
Publisher: Concordia Publishing House
Review Posted Online: May 17, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
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by Raymond Arroyo ; illustrated by Diane Le Feyer ‧ RELEASE DATE: Oct. 11, 2022
A wondrous, historically grounded Christmas story with vivid images.
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This picture book offers a retelling of the Three Wise Men’s journey to visit the newborn Jesus.
Over the Arabian city of Petra, a great star appears in the night sky. The elder Melchior recalls a Jewish prophecy that the star is a harbinger of a great king’s birth. Consulting with his younger peers Balthasar and Casper, Melchior takes this news to Nabatea’s ruler. The king, fearful of insulting the cruel monarch Herod, who apparently has welcomed a new prince, sends the three men to Judea with tributes representing their land’s greatest riches: gold, frankincense, and myrrh. And so the Magi begin their journey to greet Jesus, following the “moving star blazing overhead” and finding the newborn king in a small, sparse home. Arroyo’s book seeks to strip the Magi story of the “fictional embellishments” the tale has gained over time, returning the classic Christmas story to a more biblical, historical Bethlehem. These men are not majestic kings from Persia but theologians and star readers bound by the period’s politics. Le Feyer’s Magi are a triumph of representation, a far cry from the usual bland Nativity scenes, pulling beautiful, accurate features and diverse skin tones from the cultural melting pot of Nabatea and Judea. The illustrator makes heavy use of shadows, but the pictures never seem cold or dark. Light, be it from a candle, a star, or the divine, brightens and inspires with the awe of the season.
A wondrous, historically grounded Christmas story with vivid images.Pub Date: Oct. 11, 2022
ISBN: 9781644136201
Page Count: 40
Publisher: Sophia Institute Press
Review Posted Online: Dec. 5, 2022
Review Program: Kirkus Indie
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by Raymond Arroyo ; illustrated by Jeff Nentrup
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by Raymond Arroyo ; illustrated by Antonio Javier Caparo
by Sally Beets ‧ RELEASE DATE: Sept. 18, 2018
An unremarkable but effective way to inculcate familiarity with standard Christmas iconography
New babies don’t know much about Christmas. This simple board book aims to correct that situation.
The cover art of a smiling white snowman against a bright red background sporting a green-and-red stocking hat, scarf, and gloves invites readers in. Simple stock images, often of toys, one per page, highlight additional objects often associated with secular aspects of the holiday. Each item is shown in its most generic form, embossed and glossy against high-contrast backgrounds. Thankfully, not all the pictures are green and red. The first pages—of a snowflake and ornament—have blue and yellow backgrounds. The next two pictures, of a polar bear and penguin, are odd choices since they really have nothing to do with the holiday. A Christmas tree, angel, present, stocking, reindeer, and “santa” (the last printed in lowercase as if a generic) are more closely associated with the celebration. The angel is a knitted brown doll with a white handkerchief dress. The reindeer is a stuffed animal. Each object is clearly labeled, and an exclamation or question (“Look at her sparkly halo!”) in a smaller font extends the conversation. The final spread reprises all the images except the snowman.
An unremarkable but effective way to inculcate familiarity with standard Christmas iconography . (Board book. 6 mos.-2)Pub Date: Sept. 18, 2018
ISBN: 978-1-4654-6867-3
Page Count: 14
Publisher: DK Publishing
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Sally Beets
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