The story of Dinah’s transition from girl to woman continues and reveals new, remarkable aspects of her character.
In the second installment of Oakes’ (Elly in Love, 2014, etc.) Queen of Hearts series, Dinah unravels more secrets of her past.
After the events of the first volume, also set in the world of Lewis Carroll’s Alice’s Adventures in Wonderland, Dinah is no longer the pampered Princess of Hearts. Instead, she’s accused of a horrible crime and is now a fugitive. Her father, the King of Hearts, framed her for a brutal murder so that he could avoid handing over the throne to her, as Wonderland law demands. Dinah has fled to the Twisted Wood with only Morte, the monstrous Hornhoov who was her father’s chosen steed, for companionship. Dinah travels deeper into the woods to stay ahead of her father’s search parties, but she runs low on supplies and has no idea how to find more. Then she meets Sir Gorrann, one of the Spades who’s supposed to serve the King. He has reasons of his own to hate the King, however, so he helps Dinah by training her in swordsmanship and keeping her away from the King’s men. But the only place out of the King’s reach has its own perils, and Dinah finds that she needs all her wits to survive. As the story progresses, Dinah digs deep and discovers new strengths, but in the process, she becomes a harder, more ruthless person. Overall, the book works well within the framework laid out in the first volume. Oakes skillfully portrays Dinah’s inevitable toughening as she realizes that sometimes there are no right choices and the only options are bad and worse. The author’s unveiling of a certain aspect of Dinah’s past seems a bit forced, but it’s definitely unexpected. This installment engagingly shows Dinah shifting further toward becoming the infamous Queen of Hearts, but it also portrays her as a likable human being—at least, so far. Fans of the first volume will devour this book and eagerly await the finale.
The story of Dinah’s transition from girl to woman continues and reveals new, remarkable aspects of her character.Pub Date: Sept. 23, 2014
ISBN: 978-1-940716-21-3
Page Count: 186
Publisher: SparkPress
Review Posted Online: Sept. 11, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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