The story of Dinah’s transition from girl to woman continues and reveals new, remarkable aspects of her character.
In the second installment of Oakes’ (Elly in Love, 2014, etc.) Queen of Hearts series, Dinah unravels more secrets of her past.
After the events of the first volume, also set in the world of Lewis Carroll’s Alice’s Adventures in Wonderland, Dinah is no longer the pampered Princess of Hearts. Instead, she’s accused of a horrible crime and is now a fugitive. Her father, the King of Hearts, framed her for a brutal murder so that he could avoid handing over the throne to her, as Wonderland law demands. Dinah has fled to the Twisted Wood with only Morte, the monstrous Hornhoov who was her father’s chosen steed, for companionship. Dinah travels deeper into the woods to stay ahead of her father’s search parties, but she runs low on supplies and has no idea how to find more. Then she meets Sir Gorrann, one of the Spades who’s supposed to serve the King. He has reasons of his own to hate the King, however, so he helps Dinah by training her in swordsmanship and keeping her away from the King’s men. But the only place out of the King’s reach has its own perils, and Dinah finds that she needs all her wits to survive. As the story progresses, Dinah digs deep and discovers new strengths, but in the process, she becomes a harder, more ruthless person. Overall, the book works well within the framework laid out in the first volume. Oakes skillfully portrays Dinah’s inevitable toughening as she realizes that sometimes there are no right choices and the only options are bad and worse. The author’s unveiling of a certain aspect of Dinah’s past seems a bit forced, but it’s definitely unexpected. This installment engagingly shows Dinah shifting further toward becoming the infamous Queen of Hearts, but it also portrays her as a likable human being—at least, so far. Fans of the first volume will devour this book and eagerly await the finale.
The story of Dinah’s transition from girl to woman continues and reveals new, remarkable aspects of her character.Pub Date: Sept. 23, 2014
ISBN: 978-1-940716-21-3
Page Count: 186
Publisher: SparkPress
Review Posted Online: Sept. 11, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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