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POLITICAL RISK

HOW BUSINESSES AND ORGANIZATIONS CAN ANTICIPATE GLOBAL INSECURITY

A carefully assembled, thorough book that should be required reading for corporate leaders.

Former Secretary of State Rice (Democracy: Stories from the Long Road to Freedom, 2017, etc.) and Zegart (Eyes on Spies: Congress and the United States Intelligence Community, 2011, etc.), both Stanford political scientists, describe how political risk can affect businesses—and what to do about it.

SeaWorld is devastated by online social activism over its mistreatment of killer whales. Sony Entertainment loses trade secrets to hackers. Kazakhstan becomes independent, and Chevron faces a nightmare over an oil-and-gas concession in the dissolving Soviet Republic. Such are the new dangers—from geopolitics to cyberthreats and terrorism—facing corporations in the turbulent global landscape of “unprecedented” economic opportunities and political risks of the past 30 years. During this period, societal changes—e.g., supply chain innovations, the communications revolution, and post–Cold War politics—have given rise to potentially harmful actions by individuals with cellphones, local officials using city ordinances, terrorists using truck bombs, and the U.N. imposing sanctions. Now, write the authors, “anyone armed with a cell phone or a Twitter or Facebook account can create political risks.” Based on a Stanford seminar taught by the authors, the book examines the “notoriously difficult” job of managing the countless political risks that businesses face. Some firms excel, notably FedEx, Marriott, Disney, and the Lego Group as well as many cruise lines, chemical companies, law firms, tech companies, and others. Some have even created “mini-CIAs.” Drawing on research, interviews, and their own experiences, Rice and Zegart provide detailed examples of companies that have succeeded or failed in meeting the new challenges and outline key ways to approach risks: Get good information. Build trusting relationships. Analyze continually. Integrate political risk analysis into business decision-making. As the authors write in closing, “the most effective organizations have three big things in common: They take political risk seriously, they approach it systematically, and they lead from the top.”

A carefully assembled, thorough book that should be required reading for corporate leaders.

Pub Date: May 1, 2018

ISBN: 978-1-4555-4235-2

Page Count: 336

Publisher: Twelve

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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NO DISRESPECT

It must be hard being right all the time, but controversial rapper and black activist Sister Souljah doesn't mind, judging from her remarkably smug, occasionally uplifting memoir. Let there be no doubt, this ``young sultry, big, brown-eyed, voluptuous, wholesome, intelligent, spiritual, ghetto girl'' has opinions. She is for belief in God, hard work, self-respect, community service, political activism, a strong family structure, and black women sharing their men in the face of a huge supply-side shortage. She is against abortion, narcotics, the welfare system, interracial dating, and homosexuality. Passionate in all things, Souljah's juxtaposition of her activism and her active hormones can produce odd results. When a man she wants turns up at a committee meeting, she recounts: ``I...set to work on how to organize Black students across the country into an African student network. With moist panties and a body that wanted to be touched...I argued that most African students were confronted by the same problems.'' Souljah's political beliefs frequently become little more than sidelines to her accounts of failed romances—indignant stories of a strong, single, sexy black heroine and the brothers who let her down. The men who fail come in all varieties (from her father to her mother's lovers and her own), but Souljah concludes that their shortcomings are the result of centuries of white racist oppression—psychological, political, cultural. Ultimately, the book reveals the psyche of a young black woman who feels she has been betrayed by too many and who trusts no one. Everyone disappoints her. After eight chapters (each named for the guilty individual in question: ``Mother,'' ``Nathan,'' ``Mona,'' etc.), a predictable pattern emerges in which Souljah's initial optimism wears off and gives way first to rationalization, then to harsh condemnation. Part fiery political diatribe, part searing sexual history, part unintentional psychological profile, Souljah throws more heat than light.

Pub Date: Feb. 1, 1995

ISBN: 0-8129-2483-5

Page Count: 320

Publisher: Times/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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BUCK

A MEMOIR

Asante is a talented writer, but his memoir is undernourished.

A young black man’s self-destructive arc, cut short by a passion for writing.

Asante’s (It’s Bigger than Hip-Hop, 2008, etc.) memoir, based on his teenage years in inner-city Philadelphia, undoubtedly reflects the experiences of many African-American youngsters today in such cities. By age 14, the author was an inquisitive, insecure teen facing the hazards that led his beleaguered mother, a teacher, to warn him, “[t]hey are out there looking for young black boys to put in the system.” This was first driven home to Asante when his brother received a long prison sentence for statutory rape; later, his father, a proud, unyielding scholar of Afrocentrism, abruptly left under financial strain, and his mother was hospitalized after increasing emotional instability. Despite their strong influences, Asante seemed headed for jail or death on the streets. This is not unexplored territory, but the book’s strength lies in Asante’s vibrant, specific observations and, at times, the percussive prose that captures them. The author’s fluid, filmic images of black urban life feel unique and disturbing: “Fiends, as thin as crack pipes, dance—the dancing dead….Everybody’s eyes curry yellow or smog gray, dead as sunken ships.” Unfortunately, this is balanced by a familiar stance of adolescent hip-hop braggadocio (with some of that genre’s misogyny) and by narrative melodrama of gangs and drug dealing that is neatly resolved in the final chapters, when an alternative school experience finally broke through Asante’s ennui and the murderous dealers to whom he owed thousands were conveniently arrested. The author constantly breaks up the storytelling with unnecessary spacing, lyrics from (mostly) 1990s rap, excerpts from his mother’s journal, letters from his imprisoned brother, and quotations from the scholars he encountered on his intellectual walkabout in his late adolescence. Still, young readers may benefit from Asante’s message: that an embrace of books and culture can help one slough off the genuinely dangerous pathologies of urban life.

Asante is a talented writer, but his memoir is undernourished.

Pub Date: Aug. 20, 2013

ISBN: 978-0-8129-9341-7

Page Count: 272

Publisher: Spiegel & Grau

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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