This clever bedtime tale delivers a funny, low-stakes mystery.

DAWSON'S PAJAMA DRAMA

A boy and his family solve the puzzle of his missing pajamas in this debut picture book.

When 4-year-old Dawson wakes up in the morning, his pajamas are always missing. He imagines what might have happened to them: Did he leave his astronaut pajamas on the moon? Did his veterinarian pajamas get “eaten by a goat”? For each day of the week, he wears a different pair of pajamas associated with a profession, and each befalls an imagined tragedy on the job. Finally, when Dawson is out of pajamas, the whole family searches for clues, not realizing that Oliver, the dog, has been stealing them the whole time. Ogilvie’s verses scan well throughout, though sometimes pajamas are referred to as “them” and sometimes “it,” which may confuse young readers. She also introduces challenging and fun-to-say vocabulary words like “quizzical,” making this a good selection for reading aloud. Hosam’s (The World of Little Muslims, 2019) charming cartoon illustrations of the diverse cast are softly textured and packed with humor. Half-dressed Dawson appears in a variety of partially eaten, shrunk, burned, and shredded pajamas in his imagined scenes but always looks pleased with himself in appropriately themed underwear. Kids will giggle at Dawson’s missing clothes, and parents will be impressed with his mother’s problem-solving skills.

This clever bedtime tale delivers a funny, low-stakes mystery.

Pub Date: Oct. 1, 2018

ISBN: 978-0-692-17636-8

Page Count: 28

Publisher: Crumpled Paper Publishing

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: March 1, 2020

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More gift book than storybook, this is a meaningful addition to nursery bookshelves

MAYBE

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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