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QUEEN OF THE SUGARHOUSE

A brilliant, if harrowing, set of tales featuring sharp prose.

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Studer, the author ofBody Language: First of All Do No Harm(2009), explores life in medical institutions from varied perspectives in nine stories.

The collection opens with “Mercy,” about an intensive care nurse who administers the wrong drug to a patient; the narrative digs beneath the everyday turmoil of life on the ward to examine the vulnerability of medical staff and how they deal with the trauma of their work in their personal lives. The following story, “Shelter,” introduces Benjamin Tyler, a destitute Desert Storm veteran who’s being treated for a debilitating illness following his tour of duty, and “The Isolation Room” is about a writer who’s committed to a mental institution after cutting her wrist. “Special Needs” follows Maria, a waitress whose brother, who has muscular dystrophy, is institutionalized; when she becomes pregnant, she wonders if she carries the gene that caused her sibling’s disease. The title story closes the collection with a poignant tale of a daughter nursing her mother through chemotherapy following a mastectomy. In these stories, Studer, a retired nurse, offers a dazzling and nuanced portrait of the medical world. She’s unafraid to depict the horrific but also acutely sensitive to the complexity of the psychology at play in this challenging environment. Her affecting prose allows readers to experience hospital life through the perspectives of patients as well as medical staff. On occasion, the characters’ observations can be wistfully poetic, as in “Mercy”: “I’ve seen the signs of imminent death: a blurring of the body’s boundaries, a gentle and sometimes not-so-gentle fusion with surrounding elements, a sigh into oblivion.” In other instances, the author offers up brutally vivid tableaux, as in “Shift”: “The boy’s heart floats in a pool of blood like a drowned kitten. The doctor’s hands continue to work inside the chest.” Studer successfully captures a spectrum of emotion in these tales, including her characters’ matter-of-fact approach to death: “It’s raining outside. The toddler is very dead.”

A brilliant, if harrowing, set of tales featuring sharp prose.

Pub Date: June 1, 2021

ISBN: 978-1-63-752922-5

Page Count: 168

Publisher: Atmosphere Press

Review Posted Online: July 22, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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TRANSCRIPTION

A tart meditation on narrative and integrity.

A writer’s meeting with his mentor goes complicatedly awry.

Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.

A tart meditation on narrative and integrity.

Pub Date: April 7, 2026

ISBN: 9780374618599

Page Count: 144

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 20, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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