by Constantin Satüpo ; illustrated by Constantin Satüpo ‧ RELEASE DATE: April 7, 2026
Deftly captures the challenging uncertainty of leaving home and the eventual hope of belonging.
Two youngsters yearn for the familiar comforts of their respective left-behind homes.
Somewhere in the world, two children, each accompanied by their adult, have “been traveling for a long time—by car, by train, by bus, by ship.” The red-hooded child recalls “a little red house with a garden around it,” while the youngster wearing red glasses remembers a big house “with many doors and many windows.” Both “miss [their] home so much.” Their loss and longing are visceral, and the protagonists imbue their faraway homes with their own emotions—fear, loneliness, hurt—while imagining their houses as moving, living creatures, both sanctuary and protector. Nurturing care is mutual, and the children vow to provide ice for bruises and bandages for any scratches their houses may suffer during flight. As their journeys overlap, “when we reach a safe place,” the children hope to be “neighbors… [to] make a new home together.” Moscow-born author/artist Satüpo, who now lives in Berlin, creates vibrant spreads, favoring earthy tones, combining naïve drawings with textured cutouts, and collaging with childlike simplicity. Writing in unadorned prose, he captures the ubiquitous plight of children fleeing natural disasters, socioeconomic uncertainty, political upheaval, and—far too often—war. Fifty million kids, he notes, were displaced in 2024; kindness, he reminds us, can create welcoming safety. Both children here have light skin, but other characters are diverse.
Deftly captures the challenging uncertainty of leaving home and the eventual hope of belonging. (Picture book. 4-8)Pub Date: April 7, 2026
ISBN: 9781632064219
Page Count: 52
Publisher: Yonder
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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