With far more genuineness than Seriously, Just Go to Sleep, this is sure to be a hit with preschoolers.
This French import by Saudo impresses with its comic take on the now-popular role-reversal of a child trying to get his parent to bed.
The wry narrative tone of a smallish but still substantial boy always displayed in profile conveys the exasperation most parents experience. Dad, depicted in a proper hat and tie, declares, “I don’t want to go to bed!” And so begins the convincing, debating, distracting and demanding—from both sides. As the tension escalates with stubborn refusals and increasingly silly behavior (dad in a handstand or swinging from the chandelier), the boy turns to “the story trick [that] works every time.” Daddy wants another and another, “[b]ut enough is enough!” After a few more negotiations (tucking the fedora-clad Daddy in, firmly telling him he must sleep in his own bed) the recalcitrant oldster finally says, “ ‘Good night,’…in a small, faraway voice.” Dad may be “big / and strong, / but he’s afraid of the dark.” DiGiacomo’s mixed-media illustrations in a bedtime palette of browns and grays lend an irresistible whimsy to this humorous if less-than-original tale. Young insomniacs will recognize themselves in the antics of the oversized dad and enjoy poring over the naively drawn details found on every page.
With far more genuineness than Seriously, Just Go to Sleep, this is sure to be a hit with preschoolers. (Picture book. 3-6)Pub Date: May 8, 2012
ISBN: 978-1-59270-122-3
Page Count: 32
Publisher: Enchanted Lion Books
Review Posted Online: March 17, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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