Compelling snapshots of contemporary family drama and the AIDS epidemic as captured through a teen’s eyes.

SKYSCRAPING

A teenage girl grapples with her family’s growing pains.

Set in early 1990s Manhattan as the AIDS crisis was hitting its peak, Jensen’s semiautobiographical debut novel in verse explores how shifting parental dynamics can affect a household. At the novel’s start, Miranda “Mira” Stewart has always been a dedicated student and engaged daughter, devoted to her academician father and younger sister and struggling to relate to her self-involved artist mother. Her biggest concerns are what theme to choose as she takes the editorial helm of her high school yearbook, how to negotiate the absence of her recently graduated boyfriend, and filling out college applications—all typical senior-year fare. “But the constellation of a family / can shift shape / in seconds.” When Mira discovers her father in a compromising position with his male teaching assistant, both her image of him and her understanding of her parents’ relationship collapse. Mira withdraws from her family and acts out at school, at first unwilling to forgive her parents for having kept a crucial part of their relationship hidden. Throughout, Jensen’s spare free-verse poems and accessible imagery realistically portray the fraught moments of adolescent identity formation with great empathy.

Compelling snapshots of contemporary family drama and the AIDS epidemic as captured through a teen’s eyes. (Historical fiction/verse. 14 & up)

Pub Date: June 2, 2015

ISBN: 978-0-399-16771-3

Page Count: 336

Publisher: Philomel

Review Posted Online: March 3, 2015

Kirkus Reviews Issue: March 15, 2015

Did you like this book?

No Comments Yet

A worthy successor to an explosive debut.

BLOODMARKED

From the Legendborn series , Vol. 2

After Awakening the dormant spirit of her ancestor King Arthur Pendragon, almost-17-year-old Briana Matthews must fight to learn and control her magical inheritances.

As a Black person who also possesses the ability to use Root, a form of magic borrowed from deceased practitioners and passed down to her through her mother’s family, Bree is unique in the Line of Pendragon. It is through blood and violence that Bree’s magical abilities intertwined—both those from Arthur’s Welsh origins and from her family’s Bloodcraft originating during chattel slavery in the American South. Together they have turned her into one of the most powerful people either Line has ever known. The intricacies of her navigation of her new powers are at the heart of this sequel to Legendborn (2020), especially as Bree balances the knowledge that her Blackness creates a critical distance between her and the racist people she is sworn to protect as the king of all Legendborns. The plot is complex, and the morsels of information that help fill in the gaps of knowledge don’t always feel fully formed, which may leave readers confused as they try to keep up with the new powers and beings that are presented. Still, there are important, if hard to read, references, for example, when Bree is kidnapped and experimented on by an all-White council, a turn of events that reflects Deonn’s commitment to presenting unflinching truths about the cyclical insidiousness of racism.

A worthy successor to an explosive debut. (Fantasy. 14-18)

Pub Date: Nov. 8, 2022

ISBN: 978-1-5344-4163-7

Page Count: 640

Publisher: Simon & Schuster

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

Did you like this book?

No Comments Yet

Riveting, brutal and beautifully told.

Reader Votes

  • Readers Vote
  • 30

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

more