by Corey Ann Haydu ‧ RELEASE DATE: Feb. 12, 2019
At once enchanting, heart-rending, and bittersweet—just as Elodee would want it.
Does perfection mean the erasure of all pain? Elodee wonders.
Elodee’s family needs a fresh start; everyone says so. The Lively family relocates to Eventown, a planned utopia where there’s no internet, TV, or cars, and all the houses look the same. Fifth-grader Elodee can’t wait to bake, while her identical twin sister, Naomi, looks forward to gymnastics. Part mystery, part fabulism, with a dash of dystopia, this story is as layered and delicious as one of Elodee’s concoctions. In the preteen’s narration, readers immediately see the town’s appeal. Who could resist a special, personalized event in Eventown’s Welcoming Center? After telling your stories—the scariest, most embarrassing, most heartbreaking, loneliest, angriest, and most joyful—your memories are locked away, freeing you for the happiness of Eventown. Reluctant to give away all her stories, Elodee begins to notice imperfections and question her surroundings—the weeds in their yard, how she and Naomi are drifting apart, what exactly her family wanted to forget. It’s the last that drives Elodee to search for the truth about her past. In the process, she awakens Eventown’s citizens to their feelings and connects her family through their shared stories. Although not as dark as The Giver, the narrative will evoke comparisons about the nature of perfection and the importance of memories. The Livelys present white, as does most of Eventown; one family integral to the plot is originally from India.
At once enchanting, heart-rending, and bittersweet—just as Elodee would want it. (Fiction. 9-12)Pub Date: Feb. 12, 2019
ISBN: 978-0-06-268980-1
Page Count: 336
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Corey Ann Haydu ; illustrated by Geeta Ladi
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by Millie Florence ; illustrated by Astrid Sheckels ‧ RELEASE DATE: Jan. 7, 2025
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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by Christina Li ‧ RELEASE DATE: Jan. 12, 2021
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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