by Corey Mesler Allen Mendenhall ‧ RELEASE DATE: N/A
A briskly paced story of youth in a small, troubled town.
A relationship between two teenagers causes controversy in a small Southern town in this debut novel.
Mendenhall’s work, set in the bucolic fictional town of Andalusia, is a first-person coming-of-age tale told by a character named Cephas. Its tale of “illicit love and unfortunate loss” takes place in the 1970s, as Cephas looks back on his journey toward maturity during his boyhood with good buddies Michael Warren, whose father shared a law office with Cephas’; impulsive Lump; and introverted Brett Cox. The novel’s spirited, condensed plot features townspeople who feel betrayed by two of their own, and believably vivid courtroom scenes highlight an era in which ideas of social morality were upheld with strict deliverance. New families occasionally and unceremoniously arrive in town, but some don’t fare too well and depart mysteriously—as in the case of the Finkelmans,whose patriarch was accused of standing by his window, “playing with himself where everyone can see.” Meanwhile, the boys’ afternoons of innocent mischief are clouded by a complex and forbidden relationship between Brett’s 18-year-old brother Tommy (who “would never reason beyond the capacity of a child”) and Michael’s 13-year-old sister Sarah, who’s seen as the “beating heart” of the town of Andalusia. The truth emerges after the boys catch the pair together and Sarah subsequently confesses everything to Cephas. In the eyes of the law, Tommy’s actions constitute statutory rape and, in the fiery aftermath of a courtroom’s shocking verdict, the town’s reputation as a “bastion of conformity and consistency” is tested.
Mendenhall is a prolific writer of academic criticism and nonfiction,including Shouting Softly: Lines on Law, Literature, and Culture(2021) and in this first foray into literature, he shines. The title is drawn from a line in Romeo and Julietand one can easily draw comparisons to the plot of Harper Lee’s To Kill a Mockingbird(1960). The author demonstrates a remarkable talent for relating an atmosphere of class and racial division; the region, bordered by “haunted forests” and Native American burial mounds, comes alive with elaborate and rich history; there’s a majestic Georgian revival oak-paneled courthouse, a tall, broken town clock which “stared down like a panoptic cyclops,” and a legend of “an old blind man, the oracle in overalls, [who] wandered Magnolia County in the 1920s and prophesied that Andalusia would perish if a local virgin murdered her one true love.” The novel’s short length doesn’t affect the potency of its pacing and characterization. Mendenhall depicts the older Cephas as a capable narrator who’s eager to tell his vibrant tale; the protagonist displays seasoned maturity as well as a modest ability to take a look backward at lessons learned. Mendenhall believably portrays the group of boyhood friends, as well as the adults who struggle to mold them into an image of purity and benevolence. Overall, this is a dynamic debut that ably depicts a community of God-fearing personalities struggling to comprehend their emotions, hopes, dreams, and fears.
A briskly paced story of youth in a small, troubled town.Pub Date: N/A
ISBN: N/A
Page Count: 132
Publisher: Livingston Press
Review Posted Online: Sept. 28, 2023
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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