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A GLOOMING PEACE THIS MORNING

A briskly paced story of youth in a small, troubled town.

A relationship between two teenagers causes controversy in a small Southern town in this debut novel.

Mendenhall’s work, set in the bucolic fictional town of Andalusia, is a first-person coming-of-age tale told by a character named Cephas. Its tale of “illicit love and unfortunate loss” takes place in the 1970s, as Cephas looks back on his journey toward maturity during his boyhood with good buddies Michael Warren, whose father shared a law office with Cephas’; impulsive Lump; and introverted Brett Cox. The novel’s spirited, condensed plot features townspeople who feel betrayed by two of their own, and believably vivid courtroom scenes highlight an era in which ideas of social morality were upheld with strict deliverance. New families occasionally and unceremoniously arrive in town, but some don’t fare too well and depart mysteriously—as in the case of the Finkelmans,whose patriarch was accused of standing by his window, “playing with himself where everyone can see.” Meanwhile, the boys’ afternoons of innocent mischief are clouded by a complex and forbidden relationship between Brett’s 18-year-old brother Tommy (who “would never reason beyond the capacity of a child”) and Michael’s 13-year-old sister Sarah, who’s seen as the “beating heart” of the town of Andalusia. The truth emerges after the boys catch the pair together and Sarah subsequently confesses everything to Cephas. In the eyes of the law, Tommy’s actions constitute statutory rape and, in the fiery aftermath of a courtroom’s shocking verdict, the town’s reputation as a “bastion of conformity and consistency” is tested.

Mendenhall is a prolific writer of academic criticism and nonfiction,including Shouting Softly: Lines on Law, Literature, and Culture(2021) and in this first foray into literature, he shines. The title is drawn from a line in Romeo and Julietand one can easily draw comparisons to the plot of Harper Lee’s To Kill a Mockingbird(1960). The author demonstrates a remarkable talent for relating an atmosphere of class and racial division; the region, bordered by “haunted forests” and Native American burial mounds, comes alive with elaborate and rich history; there’s a majestic Georgian revival oak-paneled courthouse, a tall, broken town clock which “stared down like a panoptic cyclops,” and a legend of “an old blind man, the oracle in overalls, [who] wandered Magnolia County in the 1920s and prophesied that Andalusia would perish if a local virgin murdered her one true love.” The novel’s short length doesn’t affect the potency of its pacing and characterization. Mendenhall depicts the older Cephas as a capable narrator who’s eager to tell his vibrant tale; the protagonist displays seasoned maturity as well as a modest ability to take a look backward at lessons learned. Mendenhall believably portrays the group of boyhood friends, as well as the adults who struggle to mold them into an image of purity and benevolence. Overall, this is a dynamic debut that ably depicts a community of God-fearing personalities struggling to comprehend their emotions, hopes, dreams, and fears.

A briskly paced story of youth in a small, troubled town.

Pub Date: N/A

ISBN: N/A

Page Count: 132

Publisher: Livingston Press

Review Posted Online: Sept. 28, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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