by Corey Mesler Joshua Shaw ‧ RELEASE DATE: July 19, 2023
A collection of short but memorable narratives that rupture the illusion of personhood.
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Shaw considers alternate modes of existence in this debut collection of literary short stories.
A woman—who may be controlled by a zombie ant fungus—invites her ex-boyfriend over for a late-night reconciliation (“Zombie Ant Fungus”). A parks and wildlife employee is forced to take a bear into her home when there’s no more room in the woods only to realize, a few weeks into the stay, that the “bear” is actually just a man in a bear suit (“Parks and Wildlife”). A zombie, reanimated for the purpose of serving as a crash test dummy, falls in love with his zombie co-pilot, Jane, over the course of several catastrophic drives together (“Crash Test Zombies”). From Dungeons and Dragons clerics to reluctant pit fighters to body-snatching aliens pretending to be human, the characters in these 16 stories press up against the walls of their realities, probing for those places where recognizable humanity turns into something less familiar. In “Bed Just Right,”a family’s suburban home is rendered an exotic museum when their creepy neighbor sneaks in and begins examining their things: “He wonders if Stan’s and Tamar’s toothbrushes are still damp from their morning brushings. He goes downstairs, runs his thumb over bristles. One is moist. The other is dry. The dry toothbrush’s bristles are squashed, flattened, stiff with old paste. Interesting, he says. Very interesting.” In the title story, an inventor devises a way for him and his wife to be the best possible versions of themselves only to realize it will be different versions of themselves who will actually get to enjoy it. Such what-ifs, inversions, and revisions populate the author’s stories, each presenting the world anew in all its vivid, lovely, awful glory.
Shaw’s tales range from dark surrealism to offbeat comedy. The prose is uniformly tight and clever, as in “Gilman,” which opens with the Creature from the Black Lagoon receiving an invitation to visit a retired ichthyologist: “The Gill-man contemplates his lair—a dank, murky cave. He owns little: a boulder, a puddle of fish offal, some chewed-up crocodile bones. He has always wanted to visit Florida.” “Hallmark Christmas Movies (2013-2020)” is composed of a series of unhinged descriptions of potential movies poking fun at the channel’s established holiday format: “Jake refers to her, the woman with no time for love, as ‘Little Miss Mediocre.’ Not to her face, of course. Except that one time. One time too many.” The author has a gift for concision—the stories are on the shorter side, some only a page or two in length. The more playful, premise-driven pieces tend to be the strongest, though some of the more serious stories, like “Wicked Source of Light,” are quite powerful. Readers will be reminded of the work of George Saunders, though Shaw’s stories have a weirder, less reassuring tone. He veers from familiar to alien or alien to familiar in a way that keeps his audience from ever growing too comfortable, fostering a propulsive sense of unease that carries the reader on to the next strange episode.
A collection of short but memorable narratives that rupture the illusion of personhood.Pub Date: July 19, 2023
ISBN: 9781604893472
Page Count: 138
Publisher: Livingston Press
Review Posted Online: May 11, 2023
Kirkus Reviews Issue: June 15, 2023
Review Program: Kirkus Indie
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by Lisa Jewell ‧ RELEASE DATE: June 24, 2025
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.
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New York Times Bestseller
Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.
Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.Pub Date: June 24, 2025
ISBN: 9781668033876
Page Count: 384
Publisher: Atria
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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