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AN ACCIDENTAL AMERICAN ODYSSEY

An imaginative but ultimately disappointing set of tales.

Budman’s collection of short stories offers an occasionally surreal examination of immigration to America with an emphasis on Russian newcomers.

In his debut novel, My Life at First Try (2008), the author looked at life in the United States and Soviet Russia using flash-fiction narratives. His latest collection of 21 tales also observes the American dream through a varied cast of immigrant characters. The opening work, “A Perfect Rhyme Translated From Scratch,” is about a Chinese restaurant server living in a predominantly White hamlet in northern Pennsylvania. Her manager, a wannabe poet who’s separated from his wife, becomes infatuated with her despite the fact she pays him little attention. This is followed by “The Selfless Quarantine,” an eerie vision of a country brought to its knees by a deadly pandemic. In “American Zolushka,” a 20-something Russian woman is intent on applying to a mail-order bride agency, hoping to escape to a “clean and Technicolor” America. This Zolushka (or Cinderella) character reappears in “Five Minutes After Midnight,” now divorced, living in New York state, and involved with the Greek god Morpheus. Such bizarre couplings aren’t unusual in Budman’s writing; in “The Titan. An Office Romance,” for instance, a pre-Olympian god develops a crush on a girl working in the adjacent office cubicle, and in “Super Couple,” Soupmann—Superman’s third cousin, twice removed—falls for Saltwoman. Things get stranger still in the closing story, “Cinderella’s Sister or the Bridge to Nowhere,” in which an old man dies following dental bridgework and decides to phone his dentist from beyond the grave.

The author’s previous set of tales was sardonically amusing, and there’s a scattering of laugh-out-loud moments in this second book. For instance, at one point, a narrator wryly outlines Soupmann’s priorities as a superhero: “He fights for truth and justice, and sometimes for truth and the American way, and sometimes for justice and the American way, but not for all three at once. Otherwise, he’d be stretching too thin.” The author also produces some tremendously witty similes at times; regarding the elderly gentleman’s dentistry, the narrator remarks: “The old man’s mouth feels like the international space station: half of the teeth American and half Russian.” On other occasions, his writing is quite thought-provoking: “Everyone knows that reality is just a poor immigrant next to a dream of a newly minted native.” However, the tales include occasional moments of clipped, grammatically awkward phrasing: “Few minutes later, she was crying on his shoulder. He forgot when the last time a woman did that was.” Soviet-born Budman focuses mainly on the Russian immigrant experience, which he keenly observes. However, it’s disappointing that the stories here largely overlook immigrants of other nationalities. The nameless, underdeveloped Chinese server, for instance, merely becomes a blank canvas upon which her manager can project his skewed fantasies of exoticism: “He imagines her sitting in the lotus position…needles dotting her back.” The end product is, as a result, a somewhat culturally narrow study.

An imaginative but ultimately disappointing set of tales.

Pub Date: July 30, 2021

ISBN: 978-1-60-489289-5

Page Count: -

Publisher: Livingston Press

Review Posted Online: Aug. 20, 2021

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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