by Corey Mesler Mark Budman ‧ RELEASE DATE: July 30, 2021
An imaginative but ultimately disappointing set of tales.
Budman’s collection of short stories offers an occasionally surreal examination of immigration to America with an emphasis on Russian newcomers.
In his debut novel, My Life at First Try (2008), the author looked at life in the United States and Soviet Russia using flash-fiction narratives. His latest collection of 21 tales also observes the American dream through a varied cast of immigrant characters. The opening work, “A Perfect Rhyme Translated From Scratch,” is about a Chinese restaurant server living in a predominantly White hamlet in northern Pennsylvania. Her manager, a wannabe poet who’s separated from his wife, becomes infatuated with her despite the fact she pays him little attention. This is followed by “The Selfless Quarantine,” an eerie vision of a country brought to its knees by a deadly pandemic. In “American Zolushka,” a 20-something Russian woman is intent on applying to a mail-order bride agency, hoping to escape to a “clean and Technicolor” America. This Zolushka (or Cinderella) character reappears in “Five Minutes After Midnight,” now divorced, living in New York state, and involved with the Greek god Morpheus. Such bizarre couplings aren’t unusual in Budman’s writing; in “The Titan. An Office Romance,” for instance, a pre-Olympian god develops a crush on a girl working in the adjacent office cubicle, and in “Super Couple,” Soupmann—Superman’s third cousin, twice removed—falls for Saltwoman. Things get stranger still in the closing story, “Cinderella’s Sister or the Bridge to Nowhere,” in which an old man dies following dental bridgework and decides to phone his dentist from beyond the grave.
The author’s previous set of tales was sardonically amusing, and there’s a scattering of laugh-out-loud moments in this second book. For instance, at one point, a narrator wryly outlines Soupmann’s priorities as a superhero: “He fights for truth and justice, and sometimes for truth and the American way, and sometimes for justice and the American way, but not for all three at once. Otherwise, he’d be stretching too thin.” The author also produces some tremendously witty similes at times; regarding the elderly gentleman’s dentistry, the narrator remarks: “The old man’s mouth feels like the international space station: half of the teeth American and half Russian.” On other occasions, his writing is quite thought-provoking: “Everyone knows that reality is just a poor immigrant next to a dream of a newly minted native.” However, the tales include occasional moments of clipped, grammatically awkward phrasing: “Few minutes later, she was crying on his shoulder. He forgot when the last time a woman did that was.” Soviet-born Budman focuses mainly on the Russian immigrant experience, which he keenly observes. However, it’s disappointing that the stories here largely overlook immigrants of other nationalities. The nameless, underdeveloped Chinese server, for instance, merely becomes a blank canvas upon which her manager can project his skewed fantasies of exoticism: “He imagines her sitting in the lotus position…needles dotting her back.” The end product is, as a result, a somewhat culturally narrow study.
An imaginative but ultimately disappointing set of tales.Pub Date: July 30, 2021
ISBN: 978-1-60-489289-5
Page Count: -
Publisher: Livingston Press
Review Posted Online: Aug. 20, 2021
Review Program: Kirkus Indie
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by Mark Budman
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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