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PETROCHEMICAL NOCTURNE

A bristling, lurching, and often insightful investigation of the past.

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Wright’s experimental novel meditates on history and racism in the Deep South.

Welcome to Louisiana. This “Sportsman’s Paradise,” as the state motto has it, is a land with a complicated past, from its slave trade to the Battle of New Orleans during the War of 1812 to its showcasing, and later removal, of a statue of Confederate Gen. Robert E. Lee. This fictional journey begins around 2016 in Baton Rouge, the state capital, named after a “red stick” that was once used to demarcate a border. It’s home to a section called Standard Heights, a neighborhood that was once “a company town built for workers by Standard Oil at the turn of the last century.” Many streets in the neighborhood are named after Native American nations—which is odd, given past violence against them by white settlers. Its proximity to what is now a large ExxonMobil plant makes it less-than-prime real estate. It’s also a place that was once home to a man named Toussaint; the pollution was so bad when he was growing up there that his father wouldn’t allow the opening of any windows in the family home. As the narrator, a writer on an unusual quest, converses with Toussaint, the story becomes a personalized tour of Southern injustice. Items for discussion include everything from The Negro Motorist Green Book and lynching postcards to the 2017 Floyd Mayweather-Connor McGregor boxing match. The narrator eventually makes it to New Orleans in time to see the removal of the Lee statue; he reveals that he, himself, is a distant relative to an infamous historical figure. A photo of that man is included, among other images, such as of a crumbling interior of the abandoned Charity Hospital in New Orleans. It all amounts to a collage-like look at America’s troubling past.    

Wright’s novel progresses in a concentrated but rather plotless manner in long, dense sentences. The ExxonMobil site in Baton Rouge is described as “a city-state unto itself with its own body of rules and oral traditions maintained by an order of petrochemical priests.” Toussaint speaks of how he “summoned the catawampus courage to overcome the trepidation and the taboo, which had gripped me for years” against opening windows at home. The work abounds with such slow, poetic lines, and their tone works best when guiding readers through lesser-known aspects of the past. For instance, a floodgate system called the Spillway is described, intriguingly enough, as only having been opened 11 times. Yet the work’s unrelenting earnestness can make for some jarring moments that may take readers out of the story, as when Toussaint’s father is said to have taken him to watch the Spillway opening one spring so that he would “fear death by water,” and the aforementioned boxing match is sold as a racial conflict with “white frat-bro types and their blonde ratchets, pumping fists and cheering for McGregor to whipsaw Mayweather.” That said, although the work’s examination of history is unsubtle, readers will be left with more than a few uncomfortable emotions to mull over.

A bristling, lurching, and often insightful investigation of the past.

Pub Date: N/A

ISBN: 9781604893434

Page Count: 345

Publisher: Livingston Press

Review Posted Online: May 23, 2023

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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