by Corey Mesler Shome Dasgupta ‧ RELEASE DATE: Oct. 20, 2018
Unsettling, endearing, and brilliant.
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A dysfunctional Louisiana family spins out of control in this novel by Dasgupta (The Sea Singer, 2016, etc.).
Barn is a 7-year-old boy who wishes that he had the power of flight. At the beginning of the story, he climbs up on the roof of the family home in rural Louisiana, having glued feathers to his skin. It’s easy to understand why he wants to fly away; his father, referred to as Uncle Gerald, is a ne’er-do-well who’s wanted for all manner of criminal offences. Barn’s cousin Mutty, the novel’s first-person narrator, soon convinces Barn that he actually can’t fly. Mutty lives with his mother and Barn in a boarded-up farmhouse. He also has a fascination with Pepper, a mysterious, vociferous young woman who shows up at the farm on a regular basis. Pepper and Mutty aren’t friends, but they often have uninhibited, rough sex. After Uncle Gerald is arrested, Barn starts refusing to talk, and soon the family’s world descends into turmoil. Another character, referred to as The Dirty Man, shows up in town—a chilling figure from Pepper’s sordid past. Mutty’s estranged father, Pierre, reveals that The Dirty Man, otherwise known as Brody, bought Pepper from another man named Mallow, and he now owns “her skin and everything in between.” The Dirty Man is intent on taking her away, but she’s a fighter (and a biter). She’s also growing emotionally closer to Mutty, who will do anything to protect those close to him. This is a deeply idiosyncratic novel with a wildly unique descriptive style. The opening reads like a book for early readers: “Cow, cow, cow, went the moo, and cat, cat, cat went the meow, and dog, dog, dog, went the bark.” This approach continues throughout, although it becomes rather more adult in tone after Mutty and Pepper’s visit to a sex toy shop: “Leather, leather, leather went the thong. Zzzz, zzzz, zzzz went the vibrate.” Mutty is a desperately unreliable narrator who offers a deliciously distorted reading of events. At one point he remarks, “The man walked up to us. Pepper’s nails were deep into my skin.” This is repeated as “Pepper walked up to us. The man’s nails were deep into my skin.” And then, “My skin walked up to us, and Pepper’s nails were deep into the man’s skin.” It’s akin to experimental poetry, and readers are regularly left piecing together fragments while searching for meaning. It takes some work on the reader’s part, but it’s well worth the effort. Dasgupta is an ingenious writer with a painterly eye for detail, as when Mutty confides: “all I could do was sit and watch Barn play under the pepper sprinkled sun.” He also has an equal power to disturb—as when Mutty buys strawberry-flavored edible underwear at a store as a snack for Barn to eat. This is courageously strange writing that will intrigue and beguile the reader from the get-go, and it boasts a denouement that would make Quentin Tarantino squirm.
Unsettling, endearing, and brilliant.Pub Date: Oct. 20, 2018
ISBN: 978-1-60489-211-6
Page Count: 154
Publisher: Livingston Press
Review Posted Online: Oct. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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