The classic tale of a blonde house invader is given a new rock-’n’-roll spin.
Schwartz and Coulton use light verse to trace the beginnings of a hot new band. Papa Bear can play the drums, Mama Bear is great on guitar, and Baby Bear tickles the ivories, but none of them can hit the high notes they need to attract an audience. While they are out auditioning singers, Goldi stumbles upon their cottage-turned–recording studio. “ ‘A studio! Great balls of fire!’ / Amazed, Goldi raced through the door. / She forgot about food / and was now in the mood / to hurry on in and explore.” After trying out the various instruments, mics and headphones, she eventually falls asleep at the keyboard, where the bear family finds her drooling on the keys. Her startled scream is the perfect high C the band has been looking for. “Their albums now top all the rock charts. / A countrywide tour has been planned. / The fans scream and shout. / They’re crazy about… // Goldi Rocks and the Great Three Bear Band.” Wragg’s pencil-and–digital cartoon illustrations match the text but add little that’s new, and the limericklike verse doesn’t always scan well. Cute but not much more. (Fractured fairy tale. 5-8)
Pub Date: Feb. 6, 2014
ISBN: 978-0-399-25685-1
Page Count: 32
Publisher: Putnam
Review Posted Online: Nov. 30, 2013
Kirkus Reviews Issue: Dec. 15, 2013
An important reminder that, in the quest for friendship, who you truly are is more than enough.
Ivan, a young Black boy with a big, beautiful Afro, is such a skilled street skater that his friends have nicknamed him Epic.
When he and his family move to a new inner-city neighborhood, for the first time he finds himself without a clique to cheer him on or learn new skating stunts from. “You never landed a new trick on the first try,” his dad reminds him. “Keep an open mind, and you’ll meet new friends.” In an attempt to fit in with the neighborhood kids, Epic tries his hand at various other sports without success. Seeing his discouragement, his parents suggest that he skate down to the bodega for a treat. On his way there, Epic performs a scintillating series of skateboarding maneuvers, unaware that several kids of various ages are observing him with great interest. Only when he arrives at the bodega does he realize that he’s unwittingly found himself a new skating crew. Morrison’s upbeat narrative slides along smoothly, mirroring the energy and panache of its protagonist, and at times slips comfortably into African American Vernacular English. Skateboarding terminology is scattered liberally throughout the text, but readers unfamiliar with the jargon will feel the lack of a glossary. Morrison's illustrations—rendered in oil with their trademark graffiti-inspired, urban mannerist style—use interesting perspectives, silhouetting, and continuous narration to create a free-wheeling sense of Epic’s, well, epicness. Most characters are Black; a few illustrations include diverse representation.
An important reminder that, in the quest for friendship, who you truly are is more than enough. (Picture book. 6-8)Pub Date: April 19, 2022
ISBN: 978-1-5476-0592-7
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.
A young ballerina takes on her first starring role.
Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)
A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)Pub Date: Sept. 29, 2020
ISBN: 978-0-399-54764-5
Page Count: 32
Publisher: Putnam
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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