Double the fun for storytime or math lessons.



A light, rhyming story imagines if Cinderella had a lesser-known twin sister.

Schwartz, author of Ninja Red Riding Hood (illustrated by Dan Santat, 2014) and Goldi Rocks and the Three Bears (illustrated by Nate Wragg, 2014), knows how to spin a fractured fairy tale. Touting itself as a “fractioned fairy tale,” however, this take on “Cinderella” proclaims that readers familiar only with the original story “don’t know the half of it!” Breezy, pun-filled rhymes introduce Cinderella’s twin, Tinderella, who uses math to divide their wicked stepmother’s chore list in half. The fraction theme continues as the girls divide and conquer tending to the mean stepsisters, splitting meager meals, and sharing a bed. And when Prince Charming announces a ball to find himself a bride and their fairy godmother comes to their rescue, the twins know how to divide the trinkets and coach in half. Vibrant, digitally enhanced illustrations rendered in ink, gouache, and watercolor capture all the merriment until, just as in the original tale, one smitten prince is left with one shoe. Since a prince can’t be divided, Tinderella, ever the mathematician, asks the fairy godmother to double him. A fitting ending explains how Cinderella and her prince became famous and wound up on the throne while Tinderella and her prince won the kingdom’s math awards and kept fractions flourishing with baby quadruplets. With the possible exception of some dark faces in crowd scenes, the cast is an all-white one.

Double the fun for storytime or math lessons. (Picture book. 3-7)

Pub Date: Sept. 5, 2017

ISBN: 978-0-399-17633-3

Page Count: 32

Publisher: Putnam

Review Posted Online: June 14, 2017

Kirkus Reviews Issue: July 1, 2017

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...


Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: June 1, 2016

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Fun enough to read once but without enough substance to last.


Familiar crayon characters argue over which color is the essential Christmas color.

Green starts by saying that green is for Christmas. After all, green is for holly. But Red objects. Red is for candy canes. Green is for fir trees, Green retorts. But Red is for Santa Claus, who agrees. (Santa is depicted as a white-bearded White man.) Then White joins the fray. After spending the year being invisible, White isn’t giving up the distinction of association with Christmas. Snow, anyone? But then there’s Silver: stars and bells. And Brown: cookies and reindeer! At this point, everyone is confused. But they come together and agree that Christmas wouldn’t be Christmas without all of them together. Someone may get the last word, though. In Daywalt and Jeffers’ now-signature style, the crayon-written text is spare and humorous, while the crayon characters engage with each other against a bare white background, vying for attention. Dot-eyed faces and stick legs on each object turn them all into comical, if similar, personalities. But the series’ original cleverness is absent here, leaving readers with a perfunctory recitation of attributes. Fans of the crayon books may delight in another themed installment; those who aren’t already fans will likely find it lacking. (This book was reviewed digitally.)

Fun enough to read once but without enough substance to last. (Picture book. 3-6)

Pub Date: Oct. 19, 2021

ISBN: 978-0-593-35338-7

Page Count: 32

Publisher: Philomel

Review Posted Online: Aug. 18, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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