A visual feast.
A celebration of humankind’s connection to the natural world, as a child joyfully observes how a tree—and all the elements that allow it to flourish—lives on in people.
A brown-skinned child with short, curly black hair plucks an apple from a tree. As it’s eaten, the fruit’s rosy glow is reflected in the youth’s cheeks as the text reads, “The tree in me / is part apple.” And so the poetic text, with the tree refrain starting each stanza, continues. The wise child, with the help of a multiracial cast of friends, plays among glorious trees—climbing, swinging from, and reading on branches; jumping among leaves; and resting in their cool shade. With each spread, the link between the trees and the children strengthens. The soil, sun, and rain that nourish the trees are also parts of the child, as are the bee that pollinates, the squirrel that regenerates, and the worm that decomposes and enriches the ground. The cycles of the tree and of the larger natural world, including humans, are honored. Luyken captures the splendor of nature in her brushwork and patterns. Done in gouache, pencil, and ink, her simplified designs are layered with energy and skillfully composed. Warm pink and yellow hues create a soft radiance, cooled by the middle spreads of predominant blue patterns for rain and sky, which create endless delight for the children. (This book was reviewed digitally with 11-by-14-inch double-page spreads viewed at actual size.)
A visual feast. (Picture book. 4-8)Pub Date: March 16, 2021
ISBN: 978-0-593-11259-5
Page Count: 56
Publisher: Dial Books
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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