A paean to grouchy Guses everywhere presented with pouty piratical aplomb.

THE GRUMPY PIRATE

It is a glorious thing to be a pirate grump.

Part of the appeal of pirates, many might feel, is that even as they’re robbing and pillaging and performing acts of mayhem, they’re upbeat about it. Not Gus. From the moment he steps aboard a seaworthy vessel with his fellow crew members, Gus cannot keep from grumping and grouching. His gripes and grouses and general whining begin the moment he wakes up and continue through every last one of his chores. His mates, all generally good-natured, finally turn to their Pirate Queen (brown-skinned and bedecked in a Prince-worthy array of purple) for help. The queen, in turn, hands Gus a parrot that will imitate his every word and syllable. Learning ensues. The gentle, rhyming text doesn’t try for anything too complicated, and the same could be said for the book itself. The art is cartoony and appealing. It won’t take much searching for kids to recognize themselves (or their siblings) in Gus’ general poutiness (and a picture of him moaning while lying sprawled on the deck is sure to trigger many memories). While Gus presents white, the crew is multiracial and includes a child with a prosthetic leg and a crab with a hook.

A paean to grouchy Guses everywhere presented with pouty piratical aplomb. (Picture book. 4-6)

Pub Date: June 2, 2020

ISBN: 978-1-338-22297-5

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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THIS BOOK IS GRAY

A gray character tries to write an all-gray book.

The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.

Low grade. (glossary) (Picture book. 4-6)

Pub Date: Dec. 1, 2019

ISBN: 978-1-5420-4340-3

Page Count: 40

Publisher: Two Lions

Review Posted Online: July 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one.

WAY PAST WORRIED

Brock may be dressed like a superhero, but he sure doesn’t feel like one, as social anxieties threaten to rain on his fun    .

Juan’s superhero-themed birthday party is about to start, but Brock is feeling trepidatious about attending without his brother as his trusty sidekick. His costume does not fit quite right, and he is already running late, and soon Brock is “way past worried.” When he arrives at the party he takes some deep breaths but is still afraid to jump in and so hides behind a tree. Hiding in the same tree is the similarly nervous Nelly, who’s new to the neighborhood. Through the simple act of sharing their anxieties, the children find themselves ready to face their fears. This true-to-life depiction of social anxiety is simply but effectively rendered. While both Nelly and Brock try taking deep breathes to calm their anxieties without success, it is the act of sharing their worries in a safe space with someone who understands that ultimately brings relief. With similar themes, Brock’s tale would make a lovely companion for Tom Percival’s Ruby Finds a Worry (2019) on social-emotional–development bookshelves. Brock is depicted with black hair and tan skin, Nelly presents White, and peers at the party appear fairly diverse.

Though books on childhood anxiety are numerous, it is worth making space on the shelf for this one. (Picture book. 4-6)

Pub Date: Oct. 1, 2020

ISBN: 978-0-8075-8686-0

Page Count: 32

Publisher: Whitman

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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