Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
IN THE NEWS
Complex, epic, and rich in historical detail—an uplifting story of finding friendship behind enemy lines.
During World War II, five Americans head to Nazi-occupied France on a secret mission for the OSS, but only four return.
Twenty years later, OSS case officer Alistair Renault finds a clue in a history book that the missing member of their group might have survived after all. He flashes back to the beginning of the operation, when he first assembled the team he dubbed “Dragonfly”—three men and two women who were chosen for their special skills and secret connection to the war. The five recruits bond in training, but once on their mission, they split up to avoid being caught by the enemy and communicate by making marks on a mural painted on the courtyard wall of a convent. Their cover stories offer surprising glimpses of daily life for the French and their German occupiers. (And a character list at the beginning of the book helps keep their real names and aliases straight.) Christoph Brandt, a track-and-field coach who couldn’t be drafted to the American military due to his missing thumb, learns firsthand how the Hitler Youth are taught to bully. He ingratiates himself with the Nazis by tutoring the son of the head of the Abwehr German intelligence agency in France. But the Nazis won’t be fooled for long. Civil engineer Samuel “Bucky” Barton risks being discovered by Christoph’s old friend from his hometown who betrayed his country to join the Third Reich. Working side by side with the enemy, the Americans are surprised to learn that some of the Nazis are not what they seem. Tired, disillusioned, and looking for redemption, they blur the line between friend and foe, giving Dragonfly both a way into the organization and a way out of the war.
Complex, epic, and rich in historical detail—an uplifting story of finding friendship behind enemy lines.Pub Date: July 9, 2019
ISBN: 978-1-53873222-9
Page Count: 576
Publisher: Grand Central Publishing
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
IN THE NEWS
Cancel all your plans and call in sick; once you start reading, you’ll be caught in your own escape room—the only key to...
Four people answer an ominous summons from human resources only to be deliberately trapped in an elevator in Goldin’s debut thriller.
In the highflying world of finance, Vincent, Sam, Jules, and Sylvie used to be superstars, but recently they’ve failed to close too many lucrative deals, and they know their jobs are hanging by a thread. Called to a Friday evening meeting at an office building under construction, they become trapped in the steel elevator, which has been rigged to emulate an escape room. If they solve the clues, perhaps they can find their way out. At first, they assume it’s just the worst team-building exercise ever—but the clues point them toward a much darker possibility. How much do they know about the deaths of two young associates? Will they be able to solve the mystery and escape—or is the whole system rigged against them? There’s a Spanish proverb used by Tana French in The Likeness: “ 'Take what you want and pay for it,’ says God.” The main characters in Goldin’s novel should probably have paid more attention to the second half of that saying. Powerful, attractive, and unbelievably wealthy, they truly believe that their security and success are worth protecting at any cost. Despite the unsavory characters—or perhaps even because of them—this novel is pure entertainment. Offering a modern take on the classic locked-room mystery, Goldin strings the reader along by alternating chapters set in the past and in the present and by peppering the present chapters with riddles and word games. This is a commentary on the cutthroat, hypocritical world of finance, where one must sacrifice everything to stay on top. It provides us with antagonists we love to hate as well as a sympathetic heroine who pays the ultimate price for survival: her own sense of goodness and fair play.
Cancel all your plans and call in sick; once you start reading, you’ll be caught in your own escape room—the only key to freedom is turning the last page!Pub Date: Aug. 6, 2019
ISBN: 978-1-250-21965-7
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
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