Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
IN THE NEWS
Ex–County Coroner Dr. Sara Linton does seem to be managing a break from her own Job-like sufferings, at least for this...
Still more proof, if any were needed, that the most monstrous demons in Grant County, Ga., are lurking in the master bedroom.
Faith Mitchell, of the Georgia Bureau of Investigation, returns home late from a training seminar to find her house trashed, her baby daughter locked in the shed, a man lying dead on the laundry-room floor—Faith herself will kill two other intruders before they can escape, and a third corpse will turn up in the trunk of the family car—and her mother gone. Capt. Evelyn Mitchell was eased into retirement from the Atlanta PD years ago after her narcotics squad was implicated in a web of corruption. Two of her former colleagues are doing time; a third, former Det. Boyd Spivey, is on death row for murder. So it’s not all that surprising that gang-bangers would have broken into her house looking for a big score. But why are their surviving colleagues in Los Texicanos and the Yellow Rebels suddenly so determined to annihilate each other, and how does Evelyn’s abduction fit into the picture? “I think we must be caught in the middle of some kind of war,” Faith’s boss, GBI deputy director Amanda Wagner, tells Faith’s partner, endlessly troubled Will Trent. The mounting body count, however, pales beside the ferocious conflicts among regulars in this high-octane series (Broken, 2010, etc.). Faith’s brother Zeke, returning from an Air Force posting, instantly resumes his long feud with her. Will is alternately abused by Amanda Wagner and his spiteful wife Angie. And Faith’s climactic showdown with her mother’s abductor will reveal far more personal motives for the runaway mayhem than she ever could have imagined.
Ex–County Coroner Dr. Sara Linton does seem to be managing a break from her own Job-like sufferings, at least for this installment.Pub Date: June 21, 2011
ISBN: 978-0-345-52820-9
Page Count: 400
Publisher: Delacorte
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The fairy-tale ending calls for some convenient coincidences and changes of heart, but Scottoline’s legion of fans will be...
A Connecticut teacher’s long-sought and hard-fought pregnancy turns into a nightmare when Scottoline (Corrupted, 2015, etc.) unleashes one of her irresistible hooks on her.
Forced to extreme measures because her dreamy husband, Marcus, is sterile, Christine Nilsson has finally gotten pregnant using sperm from anonymous Donor 3319. At the party the staff at Nutmeg Hill Elementary have thrown to celebrate her departure, she gets a look at a serial killer doing his perp walk on TV, and he’s the spitting image of Donor 3319. When the Homestead Bank refuses to confirm or deny the identity of the donor, Christine and Marcus react in dramatically different ways. Marcus is determined to sue Homestead and whomever else is necessary to find out once and for all whether the father of the child he’s awaited so long has killed at least three nurses from Virginia to Pennsylvania. Christine persuades her best friend, Lauren Weingarten, to accompany her to West Chester, Pennsylvania, where Zachary Jeffcoat has been incarcerated, to ask him whether he’s Donor 3319. But Zachary is considerably shrewder and more manipulative than Christine, and before she knows it, she’s helping him instead of vice versa, finding him a raffish lawyer, volunteering to work as an unpaid paralegal to help with his defense, and interviewing the latest victim’s neighbors. As usual, the complications aren’t quite up to the level of the startling hook, and Christine needs more than a bit of luck to dig up the information she seeks. Along the way, she finds out a good many other things she definitely wasn’t looking for.
The fairy-tale ending calls for some convenient coincidences and changes of heart, but Scottoline’s legion of fans will be too relieved to object.Pub Date: April 12, 2016
ISBN: 978-1-250-01013-1
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
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