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WHAT BEAUTY THERE IS

Riveting and unforgettable.

“If you had one chance to save everything that mattered to you, would you grab hold of it?

When Jack, 17, comes home from school to find his mother hanging from a ceiling fan, his first concern, once he realizes he cannot save her, is to protect his brother, second grader Matty. Jack’s been holding the family’s increasingly untenable situation together for 7 years, since his meth-dealing daddy went to prison and his mama spiraled into addiction. Now Mama’s dead, Child Protective Services is calling, and their house is about to be auctioned. The only way out Jack can see is to find the briefcase of drug money his father supposedly hid before his arrest. Meanwhile, a second narrative voice, opening each chapter, is revealed to be that of Ava, daughter of Jack’s father’s partner in crime. Ava knows her father is a murderer and a psychopath whom she’ll never escape; Jack remembers, but can no longer connect with, a father who loved him. Ava understands their connection though Jack does not—she aligns herself with Jack and his search in an effort to break free of her fate despite believing his efforts are doomed. Intense, brutal, and searingly honest, Anderson’s debut features intricate plotting and action that hold up against the best thriller novels, yet it is all the more remarkable for its tender, multidimensional characterization and sharp, crystalline prose. Main characters read as White.

Riveting and unforgettable. (Fiction. 14-adult)

Pub Date: April 6, 2021

ISBN: 978-1-250-26809-9

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: Feb. 4, 2021

Kirkus Reviews Issue: March 1, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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