Those ready to gloss over the stereotypical characters, the presentation of an all-white, exclusively hetero future and the...
A science-fiction thriller delivers on suspense but turns squeamish over its edgy premise.
Seventeen-year-old Rain White is so desperate to escape the slums of Earth City that she agrees to trade her body to a handsome young starship captain for passage across the Void and medical treatment for her brother. But Johnny, it turns out, has a whole stable of “girls,” expected to sexually service his passengers and crew. When Rain discovers that his real business is even worse, it will take all of her smarts and courage just to survive. The futuristic societies and technology here are not mere window dressing but integral to the plot. Rain’s narrative voice is generally thoughtful and poetic, except when she’s berating herself for her inexplicable attraction to Johnny (despite presenting him as consummately vicious and abusive) while disregarding her obligatory gorgeous, supportive and noble secondary love interest. More disturbing, although everyone exclaims how pretty, clever and brave Rain is, and although the story (commendably) never romanticizes sex work, Rain—even after years on the streets with her prostitute best friend—remains unbelievably virginally innocent and prudishly judgmental. Her sexual encounters are glossed over in vague terms (unlike the many graphic descriptions of gory violence), and her unselfish motives and lack of alternatives are so frequently emphasized that her constant wallowing in shame and self-denigration becomes more irritating than sympathetic.
Those ready to gloss over the stereotypical characters, the presentation of an all-white, exclusively hetero future and the unfortunate subtextual implications will enjoy an elegantly written and emotionally cathartic page-turner. (Science fiction. 14 & up)Pub Date: May 14, 2013
ISBN: 978-0-7624-4821-0
Page Count: 352
Publisher: Running Press Teens
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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