Those ready to gloss over the stereotypical characters, the presentation of an all-white, exclusively hetero future and the...

THE COLOR OF RAIN

A science-fiction thriller delivers on suspense but turns squeamish over its edgy premise.

Seventeen-year-old Rain White is so desperate to escape the slums of Earth City that she agrees to trade her body to a handsome young starship captain for passage across the Void and medical treatment for her brother. But Johnny, it turns out, has a whole stable of “girls,” expected to sexually service his passengers and crew. When Rain discovers that his real business is even worse, it will take all of her smarts and courage just to survive. The futuristic societies and technology here are not mere window dressing but integral to the plot. Rain’s narrative voice is generally thoughtful and poetic, except when she’s berating herself for her inexplicable attraction to Johnny (despite presenting him as consummately vicious and abusive) while disregarding her obligatory gorgeous, supportive and noble secondary love interest. More disturbing, although everyone exclaims how pretty, clever and brave Rain is, and although the story (commendably) never romanticizes sex work, Rain—even after years on the streets with her prostitute best friend—remains unbelievably virginally innocent and prudishly judgmental. Her sexual encounters are glossed over in vague terms (unlike the many graphic descriptions of gory violence), and her unselfish motives and lack of alternatives are so frequently emphasized that her constant wallowing in shame and self-denigration becomes more irritating than sympathetic.

Those ready to gloss over the stereotypical characters, the presentation of an all-white, exclusively hetero future and the unfortunate subtextual implications will enjoy an elegantly written and emotionally cathartic page-turner. (Science fiction. 14 & up)

Pub Date: May 14, 2013

ISBN: 978-0-7624-4821-0

Page Count: 352

Publisher: Running Press Teens

Review Posted Online: March 27, 2013

Kirkus Reviews Issue: April 15, 2013

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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