by Courtney Maum ‧ RELEASE DATE: July 22, 2019
A lush chronicle of wealth, art, adventure, loneliness, love, and folly told by a narrator you won't be able to forget.
A young girl follows her mother and a wayward group of artists into the Mexican jungle on the eve of World War II in this spare, enchanting novel.
Fourteen-year-old Lara Calaway just wants her mother to notice her. Instead, Leonora, a wealthy New York socialite, is more interested in collecting members of the avant-garde. There's Konrad, a traumatized painter, whom Leonora marries; C., Konrad's longtime lover, a forceful and dedicated writer with hair that "floats around her face like an evil halo"; and the loathed Hetty, "the only other woman with us in Mexico…[who] is just horrible." Maum (Touch, 2017, etc.) depicts Lara's curiosity and longing in exquisite, diary-style vignettes, sketches, notes, and unsent letters. "He'd be so beautiful if he were happy," she muses about Konrad, her new stepfather. "Sometimes at the parties when I catch the way he is with C., I hate my mother for the way she has to have the things that everybody likes." According to Maum, Leonora and Lara Calaway are based loosely on Peggy Guggenheim and her daughter Pegeen while the artists who make up "the entire bin of loons" at Costalegre are composites of surrealists like André Breton, Leonora Carrington, and Djuna Barnes. Lara makes for a fine narrator—young enough to be both enchanted and annoyed by the strange collection of adults that surround her and old enough to explain her frustrations with heartbreaking clarity. Only occasionally does Maum allow her teenager to really sound like a teenager, and then it's played for laughs. "If she ends up putting her museum here," Lara writes of Costalegre and her mother, "I am going to die." Occasional theatrics aside, Lara blooms when she encounters a Dadaist sculptor from Germany, moved by his work and his ability to really see her, "you know, in that way that feels like something has been thrown directly toward you, as if you're on the other end of a straight line." The novel closes as quickly as it opens, in a moment of teenage confusion, rage, and hope.
A lush chronicle of wealth, art, adventure, loneliness, love, and folly told by a narrator you won't be able to forget.Pub Date: July 22, 2019
ISBN: 978-1-947793-36-1
Page Count: 240
Publisher: Tin House
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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by Rebecca Serle ‧ RELEASE DATE: March 3, 2020
A heartwarming portrait of a broken heart finding a little healing magic.
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After acing a job interview and accepting a marriage proposal, Dannie Kohan has had the perfect day. That is, until she awakens to find herself five years in the future with a completely different man.
Just one hour in that alternate reality shakes Dannie to her core. After all, highly ambitious Dannie and her boyfriend, David, have plotted out their lives in minute detail, and the sexy man in her dream—was it a dream?—is most certainly not in the script. Serle (The Dinner List, 2018) deftly spins these magical threads into Dannie’s perfectly structured life, leaving not only Dannie, but also the reader wondering whether Dannie time traveled or hallucinated. Her best friend, Bella, would delight in the story given that she thinks Dannie is much too straight-laced, and some spicy dreaming might push Dannie to find someone more passionate than David. Unfortunately, glamorous Bella is in Europe with her latest lover. Ever pragmatic, Dannie consults her therapist, who almost concurs that it was likely a dream, and throws herself into her work. Pleased to have landed the job at a prestigious law firm, Dannie easily loses her worries in litigation. Soon four and a half years have passed with no wedding date set, and Bella is back in the U.S. with a new man in her life. A man who turns out to be literally the man of Dannie’s dream. The sheer fact of Aaron Gregory’s existence forces Dannie to reevaluate her trust in the laws of physics as well as her decision to marry David, a decision that seems less believable with each passing day. And as the architecture of Dannie’s overplanned life disintegrates, Serle twists and twines the remnants of her dream into a surprising future.
A heartwarming portrait of a broken heart finding a little healing magic.Pub Date: March 3, 2020
ISBN: 978-1-9821-3744-1
Page Count: 240
Publisher: Atria
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Amor Towles ‧ RELEASE DATE: Sept. 6, 2016
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
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edited by Amor Towles ; series editor: Otto Penzler
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