Patient and sophisticated readers will find the story compelling and deeply moving and its heroine unforgettable.
The events of the Anglo-Cherokee War in 1759-60 in South Carolina are brought vividly to modern readers in a meticulously researched tale.
Seventeen-year-old Catriona suffers grievous losses when her parents and brother are murdered by fellow settlers in a raid meant to look like an attack by Cherokee warriors. She is determined not only to escape to a British fort, but to somehow bring the murderers to justice. Traversing unforgiving terrain through Cherokee territory, she is severely wounded and her younger brother killed when they are attacked by a catamount. She is rescued and cared for by Malcolm Craig, who is in hiding for reasons of his own. Eventually, they reach the fort only to find more horrific troubles and deaths. A final meeting with her enemy ends in vengeance if not justice. The plot is dense and filled with violence and unremitting pain. Catie is not a perfect heroine; she doubts her decisions and believes that, like the last of the three Fates of Greek myth, she is the instrument of death. The author has wisely chosen to forgo the use of Colonial-era dialect, but all the elements of the tale are perfectly in keeping with the setting and time.
Patient and sophisticated readers will find the story compelling and deeply moving and its heroine unforgettable. (author’s note, sources) (Historical fiction. 15-18)Pub Date: Oct. 1, 2014
ISBN: 978-1-61117-429-8
Page Count: 232
Publisher: Univ. of South Carolina
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A stunning novel that exposes modern fascism and elevates human resilience. (author’s note, research and sources, glossary,...
The pitiless dictatorship of Francisco Franco examined through the voices of four teenagers: one American and three Spaniards.
The Spanish Civil War lasted from 1936-1939, but Franco held Spain by its throat for 36 years. Sepetys (Salt to the Sea, 2016, etc.) begins her novel in 1957. Daniel is a white Texan who wants to be a photojournalist, not an oilman; Ana is trying to work her way to respectability as a hotel maid; her brother, Rafael, wants to erase memories of an oppressive boys’ home; and Puri is a loving caregiver for babies awaiting adoption—together they provide alternating third-person lenses for viewing Spain during one of its most brutally repressive periods. Their lives run parallel and intersect as each tries to answer questions about truth and the path ahead within a regime that crushes any opposition, murders dissidents, and punishes their families while stealing babies to sell to parents with accepted political views. This formidable story will haunt those who ask hard questions about the past as it reveals the hopes and dreams of individuals in a nation trying to lie its way to the future. Meticulous research is presented through believable, complex characters on the brink of adulthood who personalize the questions we all must answer about our place in the world.
A stunning novel that exposes modern fascism and elevates human resilience. (author’s note, research and sources, glossary, photographs) (Historical fiction. 15-adult)Pub Date: Oct. 22, 2019
ISBN: 978-0-399-16031-8
Page Count: 512
Publisher: Philomel
Review Posted Online: July 20, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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