A curvy thriller with a few unexpected turns.
American tourists on a Veracruz biking trip find themselves in the middle of a savage war between the Mexican militia and local contraband-running rebels in the Silberbergs’ debut novel.
Dr. Brad Sommers believes that a bicycle tour through Mexican jungles is just the thing to take his mind off a pending lawsuit. He’s facing civil action because he couldn’t save a senator’s injured daughter. Joining him are cancer survivor and divorcée Celia Dane; Kevin Black, who’s entangled in his own legal battle over his family business; and hapless, boozing Robbie Roberts. Guide Ramon Garcia and his younger sister, Elena, lead them on a pleasant excursion that takes a nasty detour when they stumble upon the bloody aftermath of a gunfight, including plenty of leftover drugs, guns, and gold coins. The group opts to take some of the latter, and soon it’s clear that their greed could be their downfall. The authors open the story by quickly establishing the protagonists and their back stories. Although the novel wisely introduces its villains early on—including black marketeer Enrique Salerno, who doesn’t mind killing (and is really good at it)—they take their time developing Brad and the rest. It’s a slow but particularly effective method, easing readers into the tour right along with the characters. It also makes it more convincing when avarice precipitates the need for a kidnapping—and even more shocking when someone later dies. The Silberbergs’ well-developed characters remain credible even in severe circumstances; Brad, for example, could potentially use his medical knowledge to render an armed man unconscious, but it’s a different story when he’s actually facing the man. The story races through invigorating twists, including double crosses among both the good and bad guys, an explosion or two, and the use of a bike as a weapon (of sorts). However, the climax, though exciting, doesn’t quite measure up to the buildup of the brisk final act. The coda thoroughly wraps up the story, including all the subplots of the people still alive.
A curvy thriller with a few unexpected turns.Pub Date: Oct. 29, 2015
ISBN: 978-1-78228-396-6
Page Count: -
Publisher: Pneuma Springs Publishing
Review Posted Online: Aug. 23, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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