A spirited, timeless tale of teen self-discovery in those tense, formative high school moments, captured with grace,...

DRESS CODES FOR SMALL TOWNS

A gender-nonconforming 17-year-old and her crew explore desire in a small town.

The only daughter of a preacher and an artist, Elizabeth “Billie” McCaffrey likes to buck convention and is warmly loved in return by members of the Hexagon, the tightknit group of four boys and one other girl she hangs with in largely white Otters Holt, Kentucky. Ever the instigator, Billie encourages the Hexagon to experiment with an aging microwave that results in nearly burning down the youth room of her father’s church. Brought even closer to the boys she’s been collecting “like baseball cards since third grade” and her beloved friend, Janie Lee, as they perform community service to atone for their transgressions, Billie soon realizes their high jinks barely mask awakening desire as the friends begin to explore new dimensions of their relationship. “I do not know what type of love we are—history, future, or infinity—but we are love all the same,” says Billie, wanting nothing of her group’s emotional intimacy to change while she questions her sexual orientation and tests the uncharted waters of physical attraction. With singing prose and a rollicking plot, Stevens presents a rich palette of characters daring to brave familial and societal expectations to become what they’re meant to be.

A spirited, timeless tale of teen self-discovery in those tense, formative high school moments, captured with grace, lyricism, and insight. (Fiction. 14-adult)

Pub Date: Aug. 29, 2017

ISBN: 978-0-06-239851-2

Page Count: 352

Publisher: HarperTeen

Review Posted Online: May 24, 2017

Kirkus Reviews Issue: June 15, 2017

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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