by C.P. Hoff ‧ RELEASE DATE: Oct. 1, 2019
An eccentric, ultimately moving novel of an expat Irish family in turmoil.
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An Irish family in Canada faces a stark generational choice.
Hoff’s impressive fiction debut centers on the O’Brien family in New Brunswick, Canada. Mr. O’Brien is garrulous and tries to be optimistic, holding court at The Donnybrook, the local pub, every day, and Mrs. O’Brien is sharp and forceful, haunted by the fact that all of her many children but one died very early (“Three boys and five girls buried one after the other in the churchyard, none living long enough to open their eyes to see, or their mouths to cry”). Tended by servants, the couple lives in a fine house with their only daughter, Mary-Kate, a high-spirited, bookish young woman who’s continuously being proffered by her father to all the eligible or semi-eligible men in the town of Tnúth. Mary-Kate is the book’s most complex dramatic creation, and the subject of her matrimonial future is a contentious one. Years ago, Mrs. O’Brien made a rash promise to her sister-in-law, Sister Mary-Frances, pledging one of her children to religious orders, and Sister Mary-Frances is determined to collect (“The long line of O’Briens was coming to an end,” we’re told, “and she wanted to make sure it finished with some dignity”). Hoff adds to these charged premises a third storyline that’s customarily a staple of comedy rather than drama: Mrs. O’Brien’s quarrelsome mother (referred to by her son-in-law as “Our Lady of Blessed Misery” and called by her daughter simply “Herself”), having just recently buried her husband, has decided to come and live with the O’Briens. Hoff animates this tale of over-the-top family dysfunction with wit, considerable writing skills (at one point we read “There was enough blue in the sky to cut out a pair of pants”), and deadpan humor (“I’m not ignoring you,” one character tells another, “I’m just pretending you’re not here”). And the very human pathos of the novel is always present but never heavy-handed, with even the most outlandish characters written to a fine shade of believability.
An eccentric, ultimately moving novel of an expat Irish family in turmoil.Pub Date: Oct. 1, 2019
ISBN: 978-0-9812215-0-2
Page Count: 346
Publisher: Black Crow Books
Review Posted Online: Sept. 9, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
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BOOK REVIEW
by C.P. Hoff ; illustrated by Michelle Froese
BOOK REVIEW
by C.P. Hoff
BOOK REVIEW
by C.P. Hoff ; illustrated by Michelle Froese
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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