A nostalgia-filled, often engaging small-town story of a girl who overcomes adversity with wit.
In the third installment of the Happy Valley Chronicles, second grader Celia Canterberry faces the seemingly impossible task of making new friends while dealing with human and imaginary enemies.
Seven-year-old Celia is distraught when her best friend, Archibald Quigley, abandons her for Eugenia Whitford—the niece of Enid Whitford, her grandmother’s employer whom Celia calls her “number one nemesis.” Celia’s teacher, Miss Dobbs, shamelessly favors Eugenia, hoping to win the heart of the youngster’s recently widowed father. Celia turns to her neighbor Old Lady Griggs for advice on how to make friends. Griggs is invested in helping Celia connect with others, drawing on tips from Dale Carnegie’s self-help classic How to Win Friends and Influence People. However, most of these strategies—sometimes due to Celia’s mistaken interpretations—don’t quite turn out as they’d hoped. Celia has impatience beyond her years that effectively furnishes the story with a tone of comedic grumpiness; for example, when Miss Dobbs has the class celebrate a Halloween “Spooktacular,” featuring presentations on notable Happy Valleyans, the girl is utterly annoyed: “As if a seven-year-old could scrounge up a useful and brand-new nugget of information. I mean, I could, but not the rest of these numbskulls.” Nan, her grandmother, instills in her a love for literature; they have a book club in which they read Jane Austen’s Sense and Sensibility, from which excerpts are quoted. Indeed, there are countless references to 19th- and 20th-century European and American literature and popular culture, which some readers will find delightful. Celia’s boundless imagination produces her “storybook” friends with whom she either interacts or whom she embodies during make-believe play. Readers may want to brush up on Moby-Dick, Jane Eyre, and The Scarlet Pimpernel before reading to avoid missing out on the nuances that these tales provide to this story. Overall, some will find this work to be reminiscent of Lemony Snicket’s A Series of Unfortunate Events, although it’s aimed at an adult readership. Froese’s simple black-and-white line drawings depict various people and events in the text.
A nostalgia-filled, often engaging small-town story of a girl who overcomes adversity with wit.Pub Date: Jan. 1, 2023
ISBN: N/A
Page Count: 212
Publisher: Black Crow Books
Review Posted Online: Nov. 1, 2022
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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