An engrossing comic murder mystery set in a California spa town.
A New Ager must solve the death of his flawed guru in Heath’s latest murder mystery, the second in a series.
Alan Wright runs a spiritual center in the California mountain town of Eden Ridge. The House of the Universal Message is the culmination of three decades of Alan’s study of the teachings of the charismatic British guru Branden Frank, who has accepted Alan’s invitation to visit the center. At first, it seems a dream come true—even if Frank turns out to be a bit more of a womanizer and child support–dodger than Alan had anticipated. After all, as Frank himself says, “If we think of someone else as the Buddha, as a saint, we are deluded.” The dream quickly devolves into nightmare when Frank is found dead on the side of the road beneath the House. Police suspect foul play, but who could be responsible? The grandfather of one of the children Frank refuses to acknowledge or the man who offers a noncredible confession to the murder? Alan, who has solved a murder in the past, takes up the mystery with the help of The Little Red Hens, a five-woman fledgling detective agency that meets at the House. But not only is the local police chief out to get him and close the center, Alan must also tangle with an online conspiracy group called NotAGod that claims he’s a Satanist who abuses children. Heath’s polyphonic prose captures the many comic misunderstandings between the New Agers and reactionary squares who populate Eden Ridge. “For almost two hundred years, Eden Ridge has been a decent place to live,” the chief rails against Alan and his friend, spa owner Hank Tate. “Hard-working, God-fearing, tax-paying people live here. Then that goddamn crazy nudist, Tate, turned the hotel and springs into a refuge for drug-addled sex freaks.” It’s clear that Heath loves Eden Ridge, and the care with which he builds out the citizens and their intersecting arcs adds depth to this mystery.
An engrossing comic murder mystery set in a California spa town.Pub Date: Oct. 18, 2024
ISBN: 9798986620466
Page Count: 390
Publisher: Nine Pines Press
Review Posted Online: Dec. 23, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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