This philosophical mystery will captivate readers thanks to a winning cast and setting.
Life and death keep getting in the way of a man attempting to heal in this debut novel.
At the heart of Heath’s mystery is Alan Wright. Residents of Eden Ridge, California, still look askance at fledgling minister Alan, who built his House of the Universal Message there at the urging of his friend and loyal parishioner Ruth MacKenzie. Alan is also the person who discovers the murdered Ruth in her antiques shop when he stops by to pick up a mystery gift that she promised him (“A pool of blood, black after hours in the open air, formed an ugly halo around her paper-white hair”). Ruth’s death hits Alan particularly hard, as he is still recovering from the loss of his wife, Patricia, in an auto accident two years prior. He decides he owes it to Ruth to investigate her murder, much to the annoyance of the local police chief. The Little Red Hens, a group of civically minded women that Ruth led, decide to help Alan. Alan determines that his gift from Ruth was to have been a rare 1612 Bible, which disappeared from her safe on the night she was killed. Alan doesn’t believe that the suspect who was caught fencing items from Ruth’s shop murdered her. He maintains the theft of the Bible increases the suspect pool, and he puts himself and those around him in danger as a result. In this series opener, Heath makes very few missteps. The author offers likable characters, starting with Alan, a man of mystery seeking to overcome his personal tragedy while standing up for people in his adopted hometown even though many have not embraced him. His Greek chorus is the Little Red Hens, some of whom fancy themselves as the town’s version of Jessica Fletcher. Heath’s villains are too obvious, but the reveal is enjoyable nevertheless. Even the former Gold Rush town of Eden Ridge becomes a character. Despite the book’s 376 pages, the narrative flies along, and the author will successfully keep readers guessing about upcoming surprises. This well-handled introduction of Heath’s reluctant hero Alan and his sidekicks bodes well for future volumes.
This philosophical mystery will captivate readers thanks to a winning cast and setting.Pub Date: Sept. 25, 2022
ISBN: 979-8-9866204-0-4
Page Count: 495
Publisher: Nine Pines Press
Review Posted Online: Sept. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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