The illegitimate love child of Neil Gaiman and Aleister Crowley.
Deeply atmospheric and decidedly dark, Schaefer’s latest offering—which chronicles an investigative reporter’s discovery that magic, and magical creatures, exists in the world—is an appealing blend of mythic fantasy, gothic horror, and supernatural mystery.
Chicago reporter Lionel Page has made a career out of being a “professional debunker.” But when he's coerced into verifying the authenticity of a lost Edgar Allan Poe short story being auctioned in New York City, he quickly gets entangled in a mystery that seems to leave those involved with the manuscript dead. Page’s search for Poe’s story—about a mesmerist who hypnotizes a dying person at the moment of his death—leads him inexplicably to "the man with the blue eyes” who murdered his mother when he was a child. After meeting Maddie, a woman who may or may not be a 3,000-year old sorceress, and getting his third eye “chiseled open” by her, he sees the world as it truly is: a terrifying, magic-powered urban wilderness inhabited by immortals and nightmarish monstrosities of all ilk. Although the dark fantasy elements are an obvious strength—ghosts and ghouls abound—it’s the main characters that drive this narrative. Page and Maddie are both deeply developed with fascinating backstories, and their relationship is dynamic. Additionally, the rich visuals and meticulous detail throughout give this novel an effortlessly immersive quality. Schaefer’s description of New York City, for example, is so strong that the setting almost becomes another supernatural character: “The city was a great and lumbering beast, armored in granite and chrome....” The one criticism is the story’s slow start. While the second half is breakneck-paced, action-packed, and deeply satisfying, the beginning takes quite a while to get up to speed as the author sets the stage for the series of bombshell revelations at novel’s end.
The illegitimate love child of Neil Gaiman and Aleister Crowley.Pub Date: April 9, 2019
ISBN: 978-1-5420-4399-1
Page Count: 495
Publisher: 47North
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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