Charlie is catapulted into adulthood when Jasper Jones knocks on his window on a blisteringly hot Australian night and leads him to a hidden glade where a girl is hanging from a tree, bruised and bloody. Jasper, half-Anglo, half-Aborigine and the scapegoat for all misdeeds in their small town, knows he’ll be held responsible for Laura’s death. In a “cold moment of dismay . . . disarmed by a shard of knowing,” Charlie helps Jasper hide the body. As Jasper delves to the heart of the mystery, Charlie’s life goes on as usual, despite the brick in his stomach from keeping their dreadful secret. A collector of words, he’s dismayed that he can’t find the right ones for the girl he has a crush on or to stick up for his Vietnamese-Australian friend, Jeffrey, who outplays the local bigots in cricket. Silvey infuses his prose with a musician’s sensibility—Charlie’s pounding heart is echoed in the terse, staccato sentences of the opening scenes, alternating with legato phrases laden with meaning. The author’s keen ear for dialogue is evident in the humorous verbal sparring between Charlie and Jeffrey, typical of smart 13-year-old boys. Their wordplay—“ ‘I bid you a Jew.’ ‘And I owe your revoir’ ”—requires some sophistication of readers, who may also wish they’d brushed up on cricket terms. A richly rewarding exploration of truth and lies by a masterful storyteller. (Fiction. 12 & up)
Pub Date: April 12, 2011
ISBN: 978-0-375-86666-1
Page Count: 320
Publisher: Knopf
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 15, 2011
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK REVIEW
Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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