A must-read. The gun’s not quite smoking, but the barrel’s plenty hot, and there are Russian shell casings all around.
by Craig Unger ‧ RELEASE DATE: Jan. 26, 2021
Is Donald Trump a Russian asset? Yes, according to longtime president-watcher and journalist Unger, who builds on and extends the case he built in House of Trump, House of Putin.
It’s not news that well before becoming president, Trump revealed himself to be “a tyrant who had mesmerized tens of millions of people, and that it didn’t matter to them what he said or did”—or that he has long been suspected of owing a profound debt to Russia and that the place to look for it is in the tax returns he keeps hidden. Unger’s book is valuable primarily because he connects any number of loose ends, even if the result may sound like a conspiracy theory. Point 1: Trump owes Russia big, and while in office, he was ever eager to please. Point 2: Russia began to cultivate him long before the Soviet Union collapsed. Point 3: It all comes down to money. Point 4: There are connections among Opus Dei, the Trump administration, and the “world of decadence and depravity tied to figures like Jeffrey Epstein and Ghislaine Maxwell.” Unger links all of this to what CIA sources call the “Monster Plot,” which posits that Russia placed an asset or agent “at the very top” of the U.S. government to make it collapse. Trump was ideal. As one Russian handler noted, “in terms of his personality…the guy is not a complicated cookie, his most important characteristics being low intellect coupled with hyperinflated vanity. This combination makes him a dream for an experienced recruiter.” The believability of Unger’s case lies less in these points laid bare than in the fact that one can see them in abundant evidence in the actions of Trump and his allies, from leaving Syria to Russia to packing the Supreme Court and Justice Department with right-wing Catholics—nefarious work that will take years to undo even as Trump continues to attempt to bring about “the end of democracy.”
A must-read. The gun’s not quite smoking, but the barrel’s plenty hot, and there are Russian shell casings all around.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18253-6
Page Count: 352
Publisher: Dutton
Review Posted Online: Jan. 31, 2021
Kirkus Reviews Issue: March 1, 2021
Categories: CURRENT EVENTS & SOCIAL ISSUES | TRUE CRIME | POLITICAL & ROYALTY | UNITED STATES | WORLD | U.S. GOVERNMENT | WORLD | POLITICS
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IN THE NEWS
by Alyssa Milano ‧ RELEASE DATE: Oct. 26, 2021
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Alyssa Milano & Debbie Rigaud ; illustrated by Eric S. Keyes
by Emmanuel Acho ‧ RELEASE DATE: Nov. 10, 2020
A former NFL player casts his gimlet eye on American race relations.
In his first book, Acho, an analyst for Fox Sports who grew up in Dallas as the son of Nigerian immigrants, addresses White readers who have sent him questions about Black history and culture. “My childhood,” he writes, “was one big study abroad in white culture—followed by studying abroad in black culture during college and then during my years in the NFL, which I spent on teams with 80-90 percent black players, each of whom had his own experience of being a person of color in America. Now, I’m fluent in both cultures: black and white.” While the author avoids condescending to readers who already acknowledge their White privilege or understand why it’s unacceptable to use the N-word, he’s also attuned to the sensitive nature of the topic. As such, he has created “a place where questions you may have been afraid to ask get answered.” Acho has a deft touch and a historian’s knack for marshaling facts. He packs a lot into his concise narrative, from an incisive historical breakdown of American racial unrest and violence to the ways of cultural appropriation: Your friend respecting and appreciating Black arts and culture? OK. Kim Kardashian showing off her braids and attributing her sense of style to Bo Derek? Not so much. Within larger chapters, the text, which originated with the author’s online video series with the same title, is neatly organized under helpful headings: “Let’s rewind,” “Let’s get uncomfortable,” “Talk it, walk it.” Acho can be funny, but that’s not his goal—nor is he pedaling gotcha zingers or pleas for headlines. The author delivers exactly what he promises in the title, tackling difficult topics with the depth of an engaged cultural thinker and the style of an experienced wordsmith. Throughout, Acho is a friendly guide, seeking to sow understanding even if it means risking just a little discord.
This guide to Black culture for White people is accessible but rarely easy.Pub Date: Nov. 10, 2020
ISBN: 978-1-250-80046-6
Page Count: 256
Publisher: Flatiron Books
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Categories: EDUCATION | CURRENT EVENTS & SOCIAL ISSUES | FAMILY & RELATIONSHIPS | ETHNICITY & RACE | POLITICS
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