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A FEARFUL DESTINY

A largely successful portrait of an intriguing, complicated historical figure.

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Hataway crafts a biography of Thomas Becket from his childhood to his murder in Canterbury Cathedral, narrated by the Beckets’ manservant, Egbert Watson.

Egbert Watson begins this yarn by detailing the life of a servant in a burgher household in 12th- century England. The Normans have conquered and subjugated the Saxons, as exemplified by the Becket and Wat households, but there is already evidence of a new identity emerging: the Englishman. Here, Hataway’s characterization and dialogue falter a bit. Children are given an improbable prescience about the state of society, and both masters and servants deliver expository soliloquys instead of believable exchanges. “My family are business people or people who serve in the government. His mother’s people are farmers,” Gilbert Becket says of his son Thomas. It’s clear that Hataway’s primary goal is to educate readers about medieval England, and the details he selects for this purpose are intriguing even if they sometimes come at the expense of pacing. As Becket matures, beginning his career as a law student and moving on to become England’s chancellor and, finally, the Archbishop of Canterbury, Hataway’s portraiture gains depth. Egbert remains largely sympathetic, but Becket becomes in turns flamboyant, autocratic and pious, sometimes alienating readers with his terse, coldhearted remarks. Different social mores of the times notwithstanding, his friendship with Henry II becomes significantly homoerotic, until Becket’s investiture as archbishop drives the two apart. Perhaps the most compelling aspect of Hataway’s novel is Becket’s eventual turn from being an intellectual into being an intransigent, single-minded lion in winter. Notably, this book, published posthumously, was clearly not Hataway’s final draft. The grammar, repetitions of words and shifts in character detail can be somewhat jarring in places. For instance, Egbert, who is mostly personified as a devout Catholic, at one point mentions a love for the Old Saxon gods rather than the church. For a biography with such insight, a more polished edition would be welcome.

A largely successful portrait of an intriguing, complicated historical figure.

Pub Date: July 20, 2013

ISBN: 978-0615735788

Page Count: 382

Publisher: Hataway Publishing

Review Posted Online: Oct. 22, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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