by Cranford Hataway ‧ RELEASE DATE: July 20, 2013
A largely successful portrait of an intriguing, complicated historical figure.
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Hataway crafts a biography of Thomas Becket from his childhood to his murder in Canterbury Cathedral, narrated by the Beckets’ manservant, Egbert Watson.
Egbert Watson begins this yarn by detailing the life of a servant in a burgher household in 12th- century England. The Normans have conquered and subjugated the Saxons, as exemplified by the Becket and Wat households, but there is already evidence of a new identity emerging: the Englishman. Here, Hataway’s characterization and dialogue falter a bit. Children are given an improbable prescience about the state of society, and both masters and servants deliver expository soliloquys instead of believable exchanges. “My family are business people or people who serve in the government. His mother’s people are farmers,” Gilbert Becket says of his son Thomas. It’s clear that Hataway’s primary goal is to educate readers about medieval England, and the details he selects for this purpose are intriguing even if they sometimes come at the expense of pacing. As Becket matures, beginning his career as a law student and moving on to become England’s chancellor and, finally, the Archbishop of Canterbury, Hataway’s portraiture gains depth. Egbert remains largely sympathetic, but Becket becomes in turns flamboyant, autocratic and pious, sometimes alienating readers with his terse, coldhearted remarks. Different social mores of the times notwithstanding, his friendship with Henry II becomes significantly homoerotic, until Becket’s investiture as archbishop drives the two apart. Perhaps the most compelling aspect of Hataway’s novel is Becket’s eventual turn from being an intellectual into being an intransigent, single-minded lion in winter. Notably, this book, published posthumously, was clearly not Hataway’s final draft. The grammar, repetitions of words and shifts in character detail can be somewhat jarring in places. For instance, Egbert, who is mostly personified as a devout Catholic, at one point mentions a love for the Old Saxon gods rather than the church. For a biography with such insight, a more polished edition would be welcome.
A largely successful portrait of an intriguing, complicated historical figure.Pub Date: July 20, 2013
ISBN: 978-0615735788
Page Count: 382
Publisher: Hataway Publishing
Review Posted Online: Oct. 22, 2013
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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