McRae’s debut is mainly lather.
A soapmaker who finds a corpse in her workshop can’t control her urge to investigate any better than she can control her inventory of oatmeal-milk bath salts.
Even though lye is an essential ingredient in her craft, soapmaker Sophie Mae Reynolds swears that the sodium hydroxide that killed handyman Walter Hanover didn’t come from her. She lives with her best friend Meghan Bly, and there’s just too much risk to Meghan’s ten-year-old daughter Erin, so all her supplies are locked carefully away in the cabinets that line her basement workshop. Of course, she can’t explain where the lye that killed Walter did come from, or why he chose to drink it in her workshop—facts that don’t escape the keen notice of Detective Barr Ambrose. But it isn’t just to clear herself that Sophie Mae visits Walter’s aging mother Tootie and checks out the Beans R Us coffee shop, where Walter spent afternoons playing cribbage with Debby and Jacob Silverman. No matter how often Ambrose warns her to leave sleuthing to the professionals, she has to conceal the boxes she rescued from Walter’s burned-out cottage from the police so that she can check them for clues herself—even after a mysterious driver tries to end her snooping with a van.
McRae’s debut is mainly lather.Pub Date: Oct. 1, 2007
ISBN: 978-0-7387-1116-4
Page Count: 336
Publisher: Midnight Ink/Llewellyn
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...
A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.
Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.Pub Date: June 5, 2012
ISBN: 978-0-307-58836-4
Page Count: 432
Publisher: Crown
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
BOOK REVIEW
BOOK REVIEW
Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...
What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.
With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.
Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.Pub Date: Sept. 12, 2017
ISBN: 978-0-316-36329-7
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
PERSPECTIVES
PERSPECTIVES
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