Fallaci left an enormous body of work, both journalism and fiction, and the future may demand a more definitive assessment...
The great Italian writer gets her due in this short but captivating biography.
Oriana Fallaci (1929-2006) played a unique role in international journalism in the latter half of the 20th century. She wrote, talked, and smoked furiously, and she wasn’t afraid to get in the face of the rich and the powerful. She grilled Secretary of State Henry Kissinger about Vietnam, eliciting a quote describing himself as a lone cowboy that he regretted forever. Fallaci didn’t suffer despots gladly; she called Haitian dictator Jean-Claude Duvalier an idiot to his face, and she defied the Ayatollah Khomeini by removing her head covering right in front of him. In her first book in English, Italian author and journalist De Stefano captures the sheer intensity of Fallaci’s personality, both personally and professionally, and where it came from. She grew up working for the Italian resistance and matured into a woman who judged everyone, including herself, by the quality of courage. She was unforgiving of slights in friends and especially lovers; once it was over, there was no going back. She wasn’t bogged down by inconsistencies; she was an ardent feminist who had mixed feelings about abortion and could become completely subservient to the men in her life. She hated authoritarianism but despised puritanical leftism. She was an unswerving atheist who admired and befriended Pope Benedict. After 9/11, Fallaci alienated liberals by becoming an unswerving Islamophobe. “The need to oppose fascism, of any type, on the Left or on the Right, is her line in the sand, the measuring stick with which she judges people and governments,” writes the author. Although favorably inclined toward her subject, the book is not a hagiography; De Stefano diligently attempts to reveal all sides of a complex and brilliant figure.
Fallaci left an enormous body of work, both journalism and fiction, and the future may demand a more definitive assessment of a long and productive career. But for now, this is a superb introduction to the life of an irreplaceable figure.Pub Date: Oct. 17, 2017
ISBN: 978-1-59051-786-4
Page Count: 288
Publisher: Other Press
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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