A brutal, mesmerizing, and historically compelling war story with a fully drawn protagonist.
A historical novel brings readers deep into the agonizing battles of World War II’s final year on the European front and the trials in Germany following the Allied victory.
William Connelly was raised in privilege, part of Philadelphia’s Main Line elite. His grandfather was a penniless Irish immigrant who, through fortitude and good fortune, opened his own brickyard, which his two sons expanded into a prominent paving company. Now his uncle is a United States congressman. But despite his access to a safer stateside deployment, Will, an Army lieutenant with a law degree, ships out to join the 106th Infantry Division. In December 1944, Will is stationed in Belgium when word comes that the Germans, who had been in retreat, are mounting a major new offensive. Will unexpectedly finds himself thrust onto the battlefield, to which, despite being seriously wounded, he returns, in one capacity or another, until the end of the conflict on the European front. On May 5, 1945, two days before the official armistice, Will is ordered to help liberate a “prison” camp. The shock of what he finds in the Mauthausen concentration camp in northern Austria, even more than the brutalities he witnessed in combat, is a turning point for him. He remains in Germany for several more years, attached to Gen. George S. Patton’s JAG Corps, prosecuting war criminals. These trials, less well-known than the Nuremberg Tribunals, were held at the notorious Dachau concentration camp and are riveting. A bit less than half the book graphically depicts the excruciating details of battle. Familiar luminaries make appearances, but this portion of the narrative is propelled by action and gore—it’s highly informative but tough to read. The postwar section focuses more on the scars of war, the traumas that kept soldiers like Will rooted in place, unable to return home quickly after what they had witnessed. McNulty (The Parachutist’s Daughter, 2011) delivers a vivid, fully developed hero. The author is a skillful writer, both in prose and dialogue. A few missing words can be easily overlooked, although one linguistic quirk is puzzling: He consistently writes “padded” when “patted” is required (“Will padded him on the shoulder”).
A brutal, mesmerizing, and historically compelling war story with a fully drawn protagonist.Pub Date: Dec. 21, 2017
ISBN: 978-0-9993788-4-7
Page Count: 444
Publisher: Bashton Publications
Review Posted Online: Feb. 23, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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