Gorgeous art meets ghoulish, monster-hunting fun.
Evil takes root in this chilling sequel.
Ander’s Landing is a “beacon for the unusual and the insidious.” Most denizens go about their days without noticing. Those who do notice blame it on the ghouls. Despite this, Grey, a biracial middle schooler (his mother is brown-skinned; his father presents as White), maintains his forbidden friendship with Lavinia, a young ghoul, through secret rendezvous and gifts left in the cemetery. When a mysterious blood drive pops up in town, the adults start obsessively donating, sleepwalking, and more. Young people soon follow. Through truly terrifying (and beautifully rendered) nightmares, Grey brainstorms the possible culprit behind it all. His theory: vampires. But, with no one to believe him, Grey must risk it all to enlist Lavinia’s help to save both their homes—or else. Bunn expands upon the ghoul lore introduced in The Ghoul Next Door (2021) to create a compelling supernatural history. Though the vilification of ghouls throughout is pervasive, toward the end, there’s an empowering moment for Lavinia, who embraces her ghoul identity. Farris’ dynamic paneling and Melanie Ujimori’s evocative lettering add playfulness (and occasional comedy) to the grim plot. The vibrant illustrations, rendered digitally and in watercolor, ink, and mixed-media paper, feature bloodlike drips on the copyright page—a thematic and immersive touch.
Gorgeous art meets ghoulish, monster-hunting fun. (Graphic horror. 8-12)Pub Date: Aug. 9, 2022
ISBN: 978-0-06-289613-1
Page Count: 200
Publisher: HarperAlley
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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