Atlantic Monthly managing editor Murphy gathers some three dozen of his essays, all but one written for the magazine and all displaying his considerable journalistic talents. As befits his varied rÇsumÇ (he is author of the text for the ``Prince Valiant'' comic strip and co-author of Rubbish! The Archaeology of Garbage, not reviewed), Murphy offers a kaleidoscopic variety of subject matter. Here are some thoughts about the practice of modern medical science, there a few comments about the art of government, here a consideration of the lore of eternal life, there some notions about the technology of sentencing criminals (which ``culminates in the computation of what might be thought of as Adjusted Gross Behavior. The sentencing table then reveals What You Owe''). Clearly the author draws much inspiration from his carefully eclectic reading of everything from the Commerce Business Daily Fund Raising Management, and How To Avoid, Prepare For, and Survive Being Taken Hostage (subject self-evident). But he's not always in the reading chair. Like Ernie Pyle or Joe Mitchell before him, Murphy often travels to garner his stylish aperáus. A lengthy piece on how a few of the Pope's men in far- flung posts are laboring to produce definitive editions of the works of St. Thomas is reported from Europe. Another observes the activities at a convention of ventriloquists—which is attended by a surprising number of fundamentalist Christians. An index (surely not a usual feature in a collection of essays) ranges from such entries as ``anthroponomastics, the study of human names'' to ``weddings, disjunction between participants and professionals at.'' Murphy's classy writing and eye for mundane curiosities keeps the art of the essay alive as a stimulant to the senses as well as the intellect.
Pub Date: Jan. 11, 1995
ISBN: 0-395-70099-X
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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