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CARTOON COUNTY

MY FATHER AND HIS FRIENDS IN THE GOLDEN AGE OF MAKE-BELIEVE

Fun to flip through; engrossing to read.

Part memoir, part cultural history, part treasure trove of drawings and photographs, many previously unpublished—and all thoroughly delightful as a celebration of the golden age of newspaper comics.

Murphy (God's Jury: The Inquisition and the Making of the Modern World, 2012, etc.) has distinguished himself as a journalist through his work at Vanity Fair and the Atlantic, but here he is very much his father’s son—and collaborator. John Cullen Murphy drew the once-popular “Big Ben Bolt” strip and later took over the “Prince Valiant” strip, with his son helping on storylines for some three decades. Beyond that, the author “grew up in an unusual environment—not only as the child of a cartoonist and illustrator, but connected to a network of families where everyone’s father was a cartoonist or illustrator.” He estimates the group comprised more than 100 cartoonists, neighbors, and an extended social circle, all living near each other in Connecticut. Amid the suburban boom to which the artists contributed after returning from World War II—an experience that served as a common denominator and spawned “Beetle Bailey,” “G.I. Joe,” and more—Connecticut was the one state in that region that not only provided close access to the New York publishing world, but had no income tax. In the era before computers, artists working on tight deadlines relied on registered mail when they could and hopped aboard trains when the mail was too slow. Generally working in isolation, they “loved the camaraderie of the cartooning tribe, everyone slightly off register and anxious for company.” There are stories of Murphy’s father serving as the all-American-boy model for Norman Rockwell (who proved an inspiration and a patron), of the creators of “Superman,” “Nancy,” “Family Circus,” and so many others, and of a feud with Al Capp, which resulted in a rival being dismissed by their guild’s “hastily formed ethics committee” for “conduct unbecoming a cartoonist.” The book is also an elegy for the era before comics went online or morphed into graphic novels, when a popular strip seemed to capture the entire nation’s eyeballs.

Fun to flip through; engrossing to read.

Pub Date: Nov. 21, 2017

ISBN: 978-0-374-29855-5

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 11, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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