An action-laden tale with vigor and cultural insight.
In Pires’ graphic novel, a near-future game show features the bloody executions of those deemed society’s worst offenders.
In mid-21st-century Los Angeles, murder is always available for streaming. The show Cancelled encourages its audience to vote on which people in the world they’d like to see die. Heavily armed assassins, including Roland Endo, who’s ranked first among the Cancellers, then track down the chosen and end their lives. One serial sexual harasser and assaulter, for example, meets an especially brutal end. For Roland, it’s just a job, but things take a disturbing turn when he learns Cancelled has been hacked, and now he’s set to be canceled. The show’s CEO anticipates a ratings boost and sees no need to stop other Cancellers from targeting Roland. Meanwhile, Roland scours the city for the hacker, and what he discovers is alarming—not only the hacker’s identity, but also what the hacker has to tell him. Although Pires’ blunt graphic novel has its share of humor, it takes itself seriously just as often. The story unfolds in a dystopian L.A. where the government has all but abandoned the working class. The taut narrative ultimately centers on the question of who among the public revels most in the violence that Cancelled delivers. Similarly, Roland isn’t the apathetic killing machine he appears to be, and his backstory hints at trauma suffered when he was a soldier. Still, the highlight of this graphic novel is its action. Castaniero’s stylized, full-color illustrations showcase Roland in battle mode as he floors opponents with fists, cookware, and what looks suspiciously like a lightsaber. The artwork is at its best in glorious full-page tableaux, whether they feature Roland calmly awaiting attackers or a collage of the show’s viewers cheering on the show’s barbarity.
An action-laden tale with vigor and cultural insight.Pub Date: Dec. 12, 2023
ISBN: N/A
Page Count: 110
Publisher: Mad Cave Studios
Review Posted Online: Jan. 3, 2024
Review Program: Kirkus Indie
PERSPECTIVES
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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