by Curt Smith ‧ RELEASE DATE: Oct. 1, 2001
For the fan, this road trip through baseball’s past and present will evoke memories of hot dogs, peanuts, announcers’...
A baseball lover chronicles the history of the sport by winding his way from one stadium to another.
Much of the true baseball experience comes from seeing a game live, and the structures that house the fun are revisited here. Historic, legendary ballparks such as Fenway, Wrigley, and Yankee stadiums (along with their respective teams) are given the lion’s share of the stories, but Smith also gives mention to long-gone fields such as Washington D.C.’s Griffith Stadium, as well as new ones like Safeco Field in Seattle. The organization is a bit confusing: Chapters are divided by sections with names such as “Classic Parks,” which is somewhat misleading since the material is grouped more by time period than by stadiums themselves. Therefore, while “The Cookie-Cutters” explores the growth of big, multipurpose stadiums (New York’s Shea, Philadelphia’s Veterans Memorial, etc.), it also features stories about happenings at Fenway and Tiger Stadium, because it covers the years 1962–91. Someone interested in a specific stadium and team would be unable to locate them easily without an index. Throw out the map and just be transported from stadium to stadium, team to team, and year to year while enjoying the patter of Smith’s friendly and lively prose. Filled with nuggets of lore and happenstance, he describes and assesses the stadiums and offers history about their teams. The appendix gives a look at the genesis and evolution of the baseball franchises, active and past ballparks, and their attendance capacities, ages, dimensions, and other facts. Thirty-six lithographs from Bill Goff’s Good Art Sports Gallery of classic and modern ballparks are included.
For the fan, this road trip through baseball’s past and present will evoke memories of hot dogs, peanuts, announcers’ voices, home runs, and the roar of the crowd.Pub Date: Oct. 1, 2001
ISBN: 0-7867-0948-0
Page Count: 608
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Bonnie Tsui
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by Bonnie Tsui ; illustrated by Sophie Diao
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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