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ROMANTIC COMEDY

Romance artfully and entertainingly deconstructed.

A budding romance with a famous singer forces a TV writer to grapple with her insecurities.

Sally Milz, a 36-year-old writer for the Saturday Night Live–esque show The Night Owls, believes that others see her as "a mild-mannered woman of average intelligence and attractiveness." Shot down years ago after confessing her love to fellow TNO writer Elliot (who went on to marry a gorgeous pop star), Sally now keeps romantic prospects at arm's length. At work, she channels her anger at sexist double standards into uproarious sketches like "The Danny Horst Rule," a reference to a schlubby co-worker who, à la SNL's Pete Davidson, is dating well above his station. (Per that rule, a less-than-stunning woman can't pull off the same feat.) Enter this week's host, Noah Brewster, a gorgeous singer/songwriter whom Sally initially views with skepticism but with whom she has undeniable chemistry—a fact that simultaneously delights and terrifies her and sends her running until two years later, when the pair reconnect during the Covid-19 shutdown. Sittenfeld has a gift for plumbing the neuroses of perceptive outsiders ("a spy or an anthropologist" is how Sally characterizes herself). But while in Sittenfeld’s first novel, Prep, Lee Fiora alternated between simmering resentment for her popular classmates and hope that they might embrace her, Sally is both resigned to her fate and more likely to buck it. With an Austen-esque eye for social nuance, the author also deftly teases out the currencies of Sally's world—physical attractiveness, talent, celebrity, youth—and explores how these elements intersect with gender. The book falters somewhat in its quick resolution; given how many pages Sally spends pondering the oddity of her dating Noah, it's disappointing that comparatively little time is devoted to exploring others' reactions to their actual relationship. Overall, though, the work is a pleasure, balancing probing analysis with an absorbing narrative.

Romance artfully and entertainingly deconstructed.

Pub Date: April 4, 2023

ISBN: 9780399590948

Page Count: 320

Publisher: Random House

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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AMERICAN FANTASY

A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.

A boy band cruise is the site of one woman’s post-divorce healing.

Annie never meant to end up alone on a Boy Talk cruise, but that’s exactly what happens when her sister breaks a leg and has to bow out of their vacation. Now Annie is sharing a cabin with a stranger, stuck on the cruise ship American Fantasy with the 1990s band—and thousands of their biggest fans, known as Talkers. Annie doesn’t consider herself a Talker, even if she was a fan back in the day. But reeling from a recent divorce and dealing with complex feelings about turning 50, Annie throws herself into the distraction of the trip. What she doesn’t expect is to truly connect with the music, the band, the other fans, and herself. As Annie observes, “This was why people turned to religion or watched the Super Bowl at a sports bar instead of alone in their living room. It felt good to be a part of something where your passion was celebrated instead of mocked.” All the Talkers dream of having a special bond with “the guys,” but when Annie actually does meet Keith, a Boy Talk member who’s clearly going through a hard time, she wonders if their connection is real or if she’s just as delusional as the other (mostly) women on the ship. Straub depicts a wonderfully immersive world aboard the American Fantasy, one where each woman assigns herself a favorite guy and everyone is bedecked in Boy Talk merch. For five days, the Talkers live in a fantasy world where the only thing that matters is their connection with a band that meant everything to them so many years ago. As Annie puts it, “Inside her head, which is where she heard the music, it had touched some lever so deep that it couldn’t be reversed…the music was a direct vein to her own childhood, the least complicated part of her life.”

A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.

Pub Date: April 7, 2026

ISBN: 9798217046850

Page Count: 304

Publisher: Riverhead

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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TRANSCRIPTION

A tart meditation on narrative and integrity.

A writer’s meeting with his mentor goes complicatedly awry.

Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.

A tart meditation on narrative and integrity.

Pub Date: April 7, 2026

ISBN: 9780374618599

Page Count: 144

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 20, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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