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THIS TIME TOMORROW

Combine Straub's usual warmth and insight with the fun of time travel and you have a winner.

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A woman who's been drifting through life wakes up the morning after her 40th birthday to discover that she's just turned 16 again.

Alice Stern wouldn't say she's unhappy. She lives in a studio apartment in Brooklyn; has a job in the admissions office of the Upper West Side private school she attended as a kid; still hangs out with Sam, her childhood best friend; and has a great relationship with her father, Leonard, the famous author of a time-travel novel, Time Brothers. Alice's mother left her and Leonard when Alice was a kid, and father and daughter formed a tight, loving unit along with their freakishly long-lived cat, Ursula. But now Leonard is in a coma, and as she visits him in the hospital every day, Alice is forced to reckon with her life. After a drunken birthday evening with Sam, Alice returns to her childhood house on Pomander Walk, a one-block-long gated street running between two avenues on the UWS—but when she wakes up the next morning, she hears Leonard in the kitchen and finds herself heading off to SAT tutoring and preparing for her 16th birthday party that night. Straub's novel has echoes of Thornton Wilder's play Our Town: Every prosaic detail of her earlier life is almost unbearably poignant to Alice, and the chance to spend time with her father is priceless. As she moves through her day, she tries to figure out how to get back to her life as a 40-year-old and whether there's anything she can do in the past to improve her future—and save her father's life. As always, Straub creates characters who feel fully alive, exploring the subtleties of their thoughts, feelings, and relationships. It's hard to say more without giving away the delightful surprises of the book's second half, but be assured that Straub's time-travel shenanigans are up there with Kate Atkinson's Life After Life and the TV show Russian Doll.

Combine Straub's usual warmth and insight with the fun of time travel and you have a winner.

Pub Date: May 17, 2022

ISBN: 978-0-525-53900-1

Page Count: 320

Publisher: Riverhead

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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