A visually appealing Gnostic origin myth sure to engage spiritually curious families.
Ropp reimagines one of Gnosticism’s most complicated myths in this picture book.
In this simplified adaptation of The Tripartite Tractate from the Nag Hammadi codices, the author introduces young readers to one of the earliest portrayals of Christ, from a creation story long excluded from the New Testament. In the beginning, Father and Son set out to build paradise with the help of angels. The youngest, Logos, eager to create that paradise alone, falls from heaven and fractures into two beings, one remembering the Father and the Son, the other a shadow-self who has forgotten them. The broken paradise left behind becomes the world we know, tended by divine children who gradually forget their purpose (“They started fighting a never-ending war”). Ropp makes the intricate theology vivid and approachable, showing time and again a world that is broken until love returns to it. Elfaza Studio’s illustrations use bold lines and exaggerated expressions to depict a dynamic, approachable cast of angels, animals, and people. The color palette captures Heaven’s warmth, the dark wetness of a fallen paradise, and emotional shifts from love to rage to selfishness. The author makes the complex material accessible, drawing parallels between humanity’s past follies and today’s influencer culture and shallow consumerism. Making such challenging, meditative ideas sit comfortably on a child’s nightstand is an impressive achievement.
A visually appealing Gnostic origin myth sure to engage spiritually curious families.Pub Date: Aug. 1, 2025
ISBN: 9798218801991
Page Count: 32
Publisher: N/A
Review Posted Online: Oct. 15, 2025
Review Program: Kirkus Indie
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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