Jocular and sparking with energy, an old tale gets a new turn.
A playful remake of the English folktale “Master of All Masters.”
This is a lurking cumulative tale wherein the accumulation comes in a great, merry rush at the very end of the telling. The broad strokes are the same as Joseph Jacobs’: A young girl goes looking for work and lands a job with a single, well-to-do man. A requirement for the job is that the girl must use the unusual names he has given to everyday objects. In the original, he calls his bed a “barnacle,” and his pants are “squibs and crackers,” but DeFelice has given the gentleman’s inventions a supercharging. The bed is now a “restful slumberific,” his pants are “long-legged limberjohns,” and his hound a “fur-faced fluffenbarker” complete with a “wigger-wagger” (tail). This makes the ending a tumbling, heroic effort, rather than a spray of commonplace wordplay, but it is all in the service of an amusing mouthful of words. Cole’s artwork remains true to his warm and humorous sensibility, with Nelly May, the young girl, a gratifyingly emotive creature. The contemporary twist on the ending brings the story right up to the late 19th century.
Jocular and sparking with energy, an old tale gets a new turn. (Picture book. 4-8)Pub Date: March 19, 2013
ISBN: 978-0-374-39899-6
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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